Issue 73
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Jim Hinch considers the future of religious art in America among migrant farm workers and mystery plays; Christian Wiman writes about the language of faith; and Gregory Wolfe considers the Chauvet Cave through Werner Herzog’s documentary Cave of Forgotten Dreams. Plus, fiction by Erin McGraw and Diane Glancy; poems by Melissa Range, Paul Mariani, and Sydney Lea; a conversation with former chair of the National Endowment for the Arts Dana Gioia; and more.
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Description
Editorial Statement
Gregory Wolfe, The Cave and the Cathedral
Fiction
Erin McGraw, Step
Diance Glancy, The Weight of Fire
Poetry
John Terpstra, Three Poems
Melissa Range, Four Poems
Betsy Sholl, The Harrowing
Paul Mariani, Putting Out into the Deep from Gloucester
Richard Spilman, Two Poems
Sydney Lea, Our Heads against the Walls
Brett Foster, Late Easter, Spring Come Lately
Philip Metres, Elegy for D.S.
Tania Runyan, Two Poems
Interview
A Conversation with Dana Gioia
Visual Arts
Donald J. Forsythe, A Celebration of Transient Beauty: The Photographic Art of Paul Kenny
Theater
Jim Hinch, Corona de Espinas: Migrant Farm Workers, a Medieval Mystery Play, and the Future of Religious Art in America
Essay
Christian Wiman, Varieties of Quiet
Confessions
Nicole Sheets, Our Last Suppers
Book Review
Steven Guthrie on Bruno Forte’s The Portal of Beauty,
T.J. Gorringe’s Earthly Visions,
Malcolm Guite’s Faith, Hope and Poetry,
and Belden C. Lane’s Ravished by Beauty
Additional information
Weight | .75 lbs |
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Dimensions | 10 × 7 × .5 in |