Issue 81
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New poems by Christian Wiman, Lisa Russ Spaar, and Win Bassett; Gregory Wolfe considers the artistic act of re-creation and renewal; Joe Milazzo takes a look at the paintings of Kim Alexander; and Brad Davis interviews Sydney Lea. With fiction by Nathan Poole and Janet Peery; the mysterious paintings of Noah Buchanan; and more.
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Description
Editorial Statement
Gregory Wolfe, Making it New
Fiction
Nathan Poole, A Map of the Watershed
Janet Peery, Ideal Marriage
Poetry
Christian Wiman, Love’s Last
The Preacher Addresses the Seminarians
Self-Portrait with Preacher, Pain, and Snow
Coming into the Kingdom
Daniel Tobin, La Cicada Familia
Lise Goett, Postscript
At the Amphitheatrum Flavium
Tara Bray, Confession: Quaker Meeting
hydrangea
Nicholas Samaras, Translation Back into Native Tongues
Spiritual Fallout
Island at the End of the World
Lisa Russ Spaar, Temple Tomb
Temple Gaudete
Furta Sacra
Anne Shaw, Prayer
Sometimes I Am Permitted
Win Bassett, Deus Ex Machina
I Am Poured Out Like Water
Tania Runyan, The First Horse of the Apocalypse
The Fourth Horse of the Apocalypse
A Quick Interpretation of the Sixth Seal
Bruce Bond, Homage to a Philosopher of History…
Interview
Brad Davis, A Conversation with Sydney Lea
Visual Arts
Joe Milazzo, Plates from a Forgotten Book: The Paintings of Kim Alexander
Gordon Fuglie, Noah Buchanan and the Renewal of Mystery
Essays
Lynda Sexson, Implicit Tree
Book Review
Theodore L. Prescott, Sarah Thornton’s Seven Days in the Art World
Timothy Van Laar and Leonard Diepeveen’s Artworld Prestige
Isaac Anderson, Richard Rodriguez’s Darling
Hilton Als’s White Girls
Jesmyn Ward’s Men We Reaped
Additional information
| Weight | .75 lbs |
|---|---|
| Dimensions | 10 × 7 × .5 in |
