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Thou Shalt Not Kill Time: The Ethics of Storytelling

By Daniel TaylorSeptember 14, 2015

Is The Great Gatsby a crime novel? (There’s a murder.) Crime and Punishment? (It’s in the title.) Moby Dick? (Oh the whales!) People like to make distinctions between mystery, crime, and detective fiction. But what’s the essence of a good mystery? What are the boundaries of what constitutes a crime? How narrowly professional or intentional does a character have to be to be considered a detective? And how do any of the novels in this loose genre relate to literary fiction?

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Downturned Face, Upturned Eyes

By Tony WoodliefAugust 19, 2015

There is no writing more precious and self-indulgent than the essay about the difficulty of writing, so I will not write an essay about that. The truth is that writing is easy if you have a little talent. A little talent affords some writers a fine living, in fact. The only real pain comes not from the act of writing, but from a voice hovering in your ear, which may be your conscience or your mother but most likely is the devil, whispering: They’re not going to like it.

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The Second Coming of Flannery O’Connor

By Gregory WolfeJanuary 30, 2014

The ongoing conversation about contemporary literature and faith that I have been having with Dana Gioia and Paul Elie across half a dozen print and online venues, though it has touched on a dozen different issues, ultimately comes down to one: “absence” versus “presence.” The question Elie has raised, you may recall, is whether we…

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Opting for Paradox: 25 Years of Image

By Gregory WolfeNovember 22, 2013

The poet Ezra Pound made the phrase “Make It New” the rallying cry of artistic modernism. In one of life’s little ironies, he obtained the phrase from an ancient Chinese text. It seems that every time you get excited about making it new, you are forced to recollect the words of another ancient, the moralist…

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Whispers of Faith in a Postmodern World

By Gregory WolfeJanuary 11, 2013

The Wall Street Journal featured this article by Image founder and editor Gregory Wolfe on Friday, January 11, 2013: Among our national pastimes, there is none more persistent than the ritual lament over the decline and fall of the arts. The death of the novel . . . the end of painting . . . if…

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A Heart in Two Places

By Allison Backous TroySeptember 24, 2011

The grid is the plan above the earth. It is a compass of possibilities. —D.J. Waldie, Holy Land During the time I spent completing my MFA, I worked for months on a single essay about the south suburbs of Chicago, where I spent my youth and young adulthood. I had just moved to Michigan, and…

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Would You Eat With Me?

By Lindsey CrittendenFebruary 25, 2010

In A Book of Silence, writer Sara Maitland begins her journey into the different kinds of silence by following the example of the desert fathers and the anchorites—she leased a remote cottage on the isle of Skye, she traveled to the Sinai desert to sit in solitude for days (and a few nights), she forced…

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