Presence in a Space: The Flickering Contradictions of Martin Puryear
By Essay Issue 91
IN 1997, THE ST. JAMES GUIDE TO BLACK ARTISTS called sculptor Martin Puryear a quiet revolutionary engrossed in the business of eroding art-world oppositions. “I would describe my usual working process as a kind of distillation—trying to make coherence out of things that can seem contradictory,” he says. “But coherence is not the same as resolution.…
Read MoreThe Doubt that Breathes Beside You
By Essay Issue 91
1. We are late to church and sneak along the outer edge of the sanctuary, the pine floors creaking under our careful steps. I slide into the pew next to my husband. My leg brushes against him, this man I love, a man who recently lost faith in God. I scan the bulletin and try…
Read MoreListening to Silence
By Essay Issue 91
I ARRIVED AT THE ADVANCED screening of Martin Scorsese’s new film, Silence, in the worst possible frame of mind. I was running late, and I was starving. My only option for getting food in time was a fancy burger joint near the multiplex. After ordering a mega-burger and fries, I fidgeted at the table, waiting…
Read MoreDinner with Dona Adélia
By Essay Issue 91
Jessica Goudeau’s translations of the work of Adélia Prado, Brazil’s foremost living poet, appear in Image issue 91. The night I met Dona Adélia, she told me my husband was the perfect man. She came to the University of Texas for a poetry reading with her longtime translator and editor, Ellen Doré Watson. At…
Read MoreWeb Exclusive: A Love Supreme: The Surprising Art of Sedrick Huckaby
By Essay Issue 90
Homely, decorative, domestic—that’s how most of us think of quilting: something a sweet grandmother does while humming an old tune and waiting for a pie to cool on the rack. It’s a comfy-seeming practice we associate with homemaking and mothering—vocations mostly overlooked and never accorded the worldly esteem we give to the artist, composer, intellectual,…
Read MoreRoman Charity
By Essay Issue 90
THE LAST TIME YOU SAW your mother alive, she helped you heal from your C-section. It wasn’t what you planned, with your careful study of the benefits of natural childbirth, your doula, your pelvic carriage the midwife called beautiful. Your own mother’s births had been natural, her milk abundant. She always said that being a mother…
Read MoreThe Charged World
By Essay Issue 90
WHEN MY FATHER finished seminary at Vanderbilt, he served his first small church in Beech Bluff, Tennessee. He was single and drove a little moped. He took disco dancing lessons to stave off loneliness and survived on church ladies’ casseroles. That summer he was working as a counselor at a church summer camp when he…
Read MoreThe Thorn and the Heart: Anxiety, Irony, and Faith
By Essay Issue 90
Ø IT WAS ONE OF THOSE OVERCAST October mornings in College Station that look like they ought to be much colder than they are. I walked back to my south-side dorm from the Zachry Center in shirtsleeves, sweating, a zippy mock-turtleneck sweater over my arm. Zachry was an engineering building at the far northeast corner…
Read MoreThe Empty Bed: Tracey Emin and the Persistent Self
By Essay Issue 90
THIS ALL HAPPENED IN 1998. A youngish woman, an artist, was at home in her council flat in the Waterloo neighborhood of central London. Council flats, you should know, are basically a British version of public housing. The woman’s name was Tracey Emin. She was having a lousy week. A relationship had gone sour. More…
Read MoreEcstatic Dislocation: The Art of Sedrick Huckaby
By Essay Issue 90
IN 2016, SAINT PATRICK’S DAY falls on a Thursday, bringing with it an early weekend. In the aftermath of apocalyptic north-central Texas thunderstorms, a sultry heat settles on the quiet residential street in Fort Worth where artist Sedrick Huckaby is hard at work preparing for his next exhibition. Huckaby is a painter, sculptor, and printmaker…
Read More

