Vanishing into the Work: The Franciscan Labors of James Munce
By Essay Issue 54
I think that I am primarily a storyteller. My function as a visual artist is to create a two-dimensional formal structure that will best contain the story being told. I am always trying to create a sense of space that has somehow been altered or transformed by an event. —James Munce THE LACONIC, SPARTAN PROSE above…
Read MoreLooking for a Renaissance
By Essay Issue 54
MOST EDUCATED PEOPLE, in addition to a set of favorite authors, artists, and composers, develop a fascination for one or more historic cultures: republican Rome, say, or colonial New England or the Ming dynasty. Sometimes these passions are matters of aesthetic or intellectual taste, but often they bear a relationship to the individual’s ideas about what constitutes the…
Read MoreUnless a Kernel of Wheat Falls
By Essay Issue 87
I. EVERY FACE IN THE NEONATAL intensive care unit looked apologetic and scared, like old, lonely men do on their deathbeds. A nurse told my wife Georgie how lonely she had been ever since her husband died. An intern cried alone in the far corner of the room and sent her condolences later via email. One…
Read MoreThe Ring
By Essay Issue 87
Someone tells someone she knows someone who writes fiction and memoir. The second someone, or party of the second part, asks the party of the third part if she would read a short essay by his wife, who died last year of ovarian cancer. How could the party of the third part refuse? No longer…
Read MorePigeons and Turtledoves
By Essay Issue 87
THOUGHTS OF ETERNITY have always terrified me. Sometimes at night I would try to trick myself into imagining it, the experience of never-endingness, and think myself into a cold sweat, starting from the horror to which I had brought my mind. Most often, my late wife Emily was able to sleepily talk me back down, but…
Read MoreDenise Levertov: A Memoir and Appreciation
By Essay Issue 27
The first time I saw Denise Levertov was in the spring of 1973. She was the Elliston Poet at the University of Cincinnati that semester, and she was standing in the aisle prior to delivering the Elliston lecture. She was bent forward talking to someone seated at the end of a row of chairs. She…
Read MoreIn Search of the Beautiful: The Art of Susie Hamilton
By Essay Issue 87
WHEN CHARLES BAUDELAIRE’S ESSAY “The Painter of Modern Life” was printed by Le Figaro in late 1863, Paris was a city in the midst of artistic revolution. For centuries, the French Academy had emphasized historical subjects and classical ideals, teaching students to take their models of beauty from the great masters of the past. But now,…
Read MoreJack Baumgartner and the School of the Transfer of Energy
By Essay Issue 87
IN LATE FEBRUARY OF 2015, my husband and I left behind the snow and ice of central Indiana to drive ten hours south to the shrubby tree-lined plains just outside Wichita, Kansas—to see a puppet show. Another couple we’d met only the night before accompanied us, a sword maker who operates Cedarlore Forge in New…
Read MoreA Metaphorical God
By Essay Issue 87
The following is adapted from the preface to The Operation of Grace: Further Essays on Art, Faith, and Mystery. My God, my God, thou art a direct God, may I not say a literal God, a God that wouldst be understood literally and according to the plain sense of all that thou sayest? but thou art…
Read MoreWalking Man: The Art of Thomas Denny
By Essay Issue 86
Fair Quiet, have I found thee here, And Innocence, thy sister dear! Mistaken long, I sought you then In busy companies of men; Your sacred plants, if here below, Only among the plants will grow. Society is all but rude, To this delicious solitude. Meanwhile the mind, from pleasure less, Withdraws into its happiness; The…
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