Annie Spans the Gap
By Essay Issue 88
There is no such thing as an artist: there is only the world, lit or unlit as the light allows. When the candle is burning, who looks at the wick? When the candle is out, who needs it? But the world without light is wasteland and chaos, and a life without sacrifice is abomination. What…
Read MoreBent Body, Lamb
By Essay Issue 88
Really, though, I’m struggling. Is it absurd to adhere to a religion whose most central rituals my body won’t even let me perform? What am I to make of all the parables in the New Testament where Jesus heals the crippled and the lame? And, most importantly, if I believe we’ll all eventually be resurrected back into the world, then is this body—this bruised, broken, wreck of a form—the one I’m stuck with for all time?
Read MoreNotes for Young Writers
By Essay Issue 16
The following advice was sent to the creative writing students at the University of North Carolina at Chapel Hill, following a series of talks Ms. Dillard presented to the students there. § AFTER I left Chapel Hill, I thought of many things I wish I’d said to you. Here are some of them. Dedicate (donate,…
Read MoreThe Revolt Against Narcissus
By Essay Issue 54
IN A SCENE from book 4 of Milton’s Paradise Lost, Adam and Eve talk one evening of the glories of Eden and their unmerited free creation by God, unaware that they are being watched by Satan. This little scene takes place shortly after Satan’s shape-shifting arrival in Eden and serves as a kind of foreshadowing…
Read MoreWarld in a Roar: The Music of James MacMillan
By Essay Issue 54
Some of MacMillan’s larger works—such as his song cycle Raising Sparks, or his Triduum—have something provocative, almost indecent about them. They make us, as poet Czeslaw Milosz put it, “blink our eyes, as if a tiger had sprung out and stood in the light, lashing his tail.”
Read MoreFinding Our Names
By Essay Issue 54
Fathers and teachers, I ponder, “What is hell?” I maintain that it is the suffering of being unable to love. —Dostoyevsky How did I get so lucky to have my heart awakened to others and their suffering? —Pema Chödrön WHEN MY FATHER DIES, I may not know about it for days. The people at his…
Read MoreVanishing into the Work: The Franciscan Labors of James Munce
By Essay Issue 54
I think that I am primarily a storyteller. My function as a visual artist is to create a two-dimensional formal structure that will best contain the story being told. I am always trying to create a sense of space that has somehow been altered or transformed by an event. —James Munce THE LACONIC, SPARTAN PROSE above…
Read MoreLooking for a Renaissance
By Essay Issue 54
MOST EDUCATED PEOPLE, in addition to a set of favorite authors, artists, and composers, develop a fascination for one or more historic cultures: republican Rome, say, or colonial New England or the Ming dynasty. Sometimes these passions are matters of aesthetic or intellectual taste, but often they bear a relationship to the individual’s ideas about what constitutes the…
Read MoreUnless a Kernel of Wheat Falls
By Essay Issue 87
I. EVERY FACE IN THE NEONATAL intensive care unit looked apologetic and scared, like old, lonely men do on their deathbeds. A nurse told my wife Georgie how lonely she had been ever since her husband died. An intern cried alone in the far corner of the room and sent her condolences later via email. One…
Read MoreThe Ring
By Essay Issue 87
Someone tells someone she knows someone who writes fiction and memoir. The second someone, or party of the second part, asks the party of the third part if she would read a short essay by his wife, who died last year of ovarian cancer. How could the party of the third part refuse? No longer…
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