Always Now
By Essay Issue 62
ARE YOU CONVINCED that everything is going to hell in a handbasket? Down the tubes? Or are you possessed of a more sanguinetemperament? Do you feel that life is getting better every day in every way? Do you believe in progress or regress? What would the make and model of your handbasket happen to be?…
Read MoreSkin Boat
By Essay Issue 63
Skin Boat: Acts of Faith and Other Navigations The following essay is excerpted from a new book of the same title from Gaspereau Press (www.Gaspereau.com). TODAY I believe in God. A visiting friend and I were listening to a jazz trio one Sunday morning in an Anglican church. The trio led off with a…
Read MoreThe Superhero and His People
By Essay Issue 63
I want a hero: an uncommon want, When every year and month sends forth a new one, Till, after cloying the gazettes with cant, The age discovers he is not the true one ——————Lord Byron, Don Juan, Canto the First A SUPERHERO MOVIE is foremost an entertainment, often kitschy, sometimes trashy, but regardless, it is…
Read MoreI Tell My Mother Lies
By Essay Issue 64
I TELL MY mother lies. Sometimes three or four times a day. I lie mostly about money. That I’ve sent it or that I’m just about to send it. Or that surely I will send it tomorrow. My mother waits for money like the bums waited for Godot. One day she called seventeen times. So…
Read MoreThis Is My Body
By Essay Issue 64
I HAVE A BLACK AND WHITE photograph taken in 1967 that I found among my grandmother’s things after she died. In the foreground, my grandmother sits on a blanket, smiling self-consciously for the camera. To her left my brother stands in a seven-year-old boy’s macho pose with hands on hips, his smooth, hairless chest thrust…
Read MoreGerhard Richter: The Capacity for Belief
By Essay Issue 64
WHEN MEASURING an artist’s greatness within a particular tradition, the essential criterion is not what that artist takes from the tradition but what he or she adds to it. For almost half a century, Gerhard Richter has applied his creative aptitude and technical facility to a critical investigation of the viability of a genuinely contemporary…
Read MoreA Reflection in the Window: Gerhard Richter Longs for More
By Essay Issue 64
A painting can help us to think something that goes beyond this senseless existence. That’s something art can do. —Gerhard Richter, Doubt and Belief GERHARD RICHTER wants you to believe. Maybe not in God per se, but in something. The significance of his work depends on it. His paintings invite us to identify…
Read MoreWhy Sacred Music Endures
By Essay Issue 63
The following lecture was originally delivered in London in October 2008, marking the thirtieth anniversary of the Sandford St. Martin Trust, which promotes excellence in religious media programming in the U.K. It was later broadcast on BBC Radio. HISTORY HAS an annoying habit of sneaking up and mugging the certain and the convinced. In European…
Read MoreA Private Letter
By Essay Issue 63
A Private Letter A Poet on Writing for Composers NOT LONG AGO, I was giving a reading with another poet who has written libretti for composers. I hadn’t heard anything of his musical collaborations for a few years, and asked him if he was still working in the opera world. “I’m doing something for television,”…
Read MoreThe House that Agnes Martin Built
By Essay Issue 63
A Grant of the Divine— That Certain as it Comes— Withdraws—and leaves the dazzled Soul In her unfurnished Rooms. ——————————Emily Dickinson PAINTER AGNES MARTIN, who died in Taos, New Mexico, in 2004, had the ability to make seemingly restrictive, minimalist forms pulse with life. Her paintings are nearly all made up of straight lines and…
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