More on: Essays

I HAVE A BLACK AND WHITE photograph taken in 1967 that I found among my grandmother’s things after she died. In the foreground, my grandmother sits on a blanket, smiling self-consciously for the camera. To her left my brother stands in a seven-year-old boy’s macho pose with hands on hips, his smooth, hairless chest thrust…

WHEN MEASURING an artist’s greatness within a particular tradition, the essential criterion is not what that artist takes from the tradition but what he or she adds to it. For almost half a century, Gerhard Richter has applied his creative aptitude and technical facility to a critical investigation of the viability of a genuinely contemporary…

The following lecture was originally delivered in London in October 2008, marking the thirtieth anniversary of the Sandford St. Martin Trust, which promotes excellence in religious media programming in the U.K. It was later broadcast on BBC Radio. HISTORY HAS an annoying habit of sneaking up and mugging the certain and the convinced. In European…

A Private Letter A Poet on Writing for Composers NOT LONG AGO, I was giving a reading with another poet who has written libretti for composers. I hadn’t heard anything of his musical collaborations for a few years, and asked him if he was still working in the opera world. “I’m doing something for television,”…

A Grant of the Divine— That Certain as it Comes— Withdraws—and leaves the dazzled Soul In her unfurnished Rooms. ——————————Emily Dickinson PAINTER AGNES MARTIN, who died in Taos, New Mexico, in 2004, had the ability to make seemingly restrictive, minimalist forms pulse with life. Her paintings are nearly all made up of straight lines and…

IN THE MID-1980s, just shy of my fortieth birthday, I found myself out of work and divorced. It was a crash landing of all my aspirations, and crawling from the wreckage of two traumas, I was grieved, confused, desperate—cut off from the world I thought I understood. In the fragile years that followed, I tried…

The following is an expanded version of the introductory remarks delivered at Image’s Glen Workshop in Santa Fe, New Mexico, on July 27, 2009. The theme for both the workshop and Image’s twentieth anniversary year, now concluding, was “Fully Human: Art and the Religious Sense.” BY ALL ACCOUNTS, Saint Irenaeus of Lyons, a bishop of…

MY SON AT TWELVE believes in the Greek gods. Zeus, Athena. Jin favors Poseidon and Ares but likes them all. He can tell intricate stories, like the one about Baucis and Philemon, an old couple who took in Mercury and Jupiter disguised as travelers. A thousand villagers had turned the gods away, and a thousand were…

Neighbors, Strangers,  Family, Friends Four Artists Reflect on Charis The traveling art exhibition Charis—Boundary Crossings: Neighbors Strangers Family Friends features work by seven Asian and seven North American artists. The show grew out of a two-week seminar in Indonesia sponsored by Calvin College’s Nagel Institute for the Study of World Christianity and the Council for…