On Becoming Divine
By Essay Issue 69
On Becoming Divine: Within Theological School, and Without I HAVE NEVER BEEN smote on the head, or anywhere else, for that matter, with religious conviction. Yet, after years of milking cows, traveling, graduate study in poetry, teaching college writing, shoveling horse manure, and stints as a researcher and writer, I found myself applying to theological…
Read MoreReligious but Not Spiritual
By Essay Issue 68
FOR A NUMBER OF YEARS I’ve been saving up the fiction of Anthony Trollope as a sort of mid-life treat. At least I hoped it would be a treat. Trollope is the kind of author who is often ridiculed as a literary lightweight: a Victorian lacking the range and energy of Dickens; a drawing-room chronicler…
Read MoreWriting with So Great a Cloud of Witnesses
By Essay Issue 69
LAST MONTH MY BEST FRIEND, Jeff Deal, and I made a road trip from Charleston, South Carolina, to Fort Campbell, Kentucky, to visit my older son Zebulun, a cavalry scout with the 101st Airborne. Jeff’s son Russell is in the army as well, our two boys having made a pact while they were undergrads…
Read MoreParadox of Flesh: The Art of Chris Ofili
By Essay Issue 69
THE WORK OF British-born artist Chris Ofili, Turner Prize–winner in 1996 and 2003 British representative at the Venice Biennale, poses a particular challenge. Almost every review of his major 2010 retrospective at London’s Tate Britain alluded to the “spirituality” of the work of this former altar boy; the artist himself often gives religious titles to…
Read MoreMarc Quinn: The Matter of Life and Death
By Essay Issue 69
IN 2009, BRITAIN’S NATIONAL Portrait Gallery acquired Self by Marc Quinn. The museum’s press release described the work as “unconventional, innovative, and challenging.” That is an understatement. Self is made of eight pints of Quinn’s own blood, approximately the amount in an adult male body. It was extracted over a period of a year, then…
Read MoreRitual
By Essay Issue 72
I’M DOING A CLEANSE,” Odin says. “Me and Mara. Just broth all day.” We’re standing at the corner of Grant and Polk by city hall in San Francisco, waiting for our ride to the Headlands where we will meet DT and do the vernal equinox ritual—“I know of a sacred tree,” he’d said, “at Rodeo…
Read MoreLord God Bird
By Essay Issue 72
THE LORD GOD BIRD fled its home on the Singer Tract in the bayou of Louisiana in 1944 and hasn’t been conclusively seen or heard from since. Its official name is the ivory-billed woodpecker. Campephilus principalis. The bird was the largest woodpecker in America until its purported demise. Great God, people were known to say.…
Read MoreThe Poetry of Exile
By Essay Issue 69
HISTORY IS WRITTEN by the victors, so the saying goes. It would be pleasant to believe that the history of literature (or the arts in general) might prove an exception to this rule, that artistic merit will always be recognized in its own time, regardless of fashion or ideology. But we know that’s not true.…
Read MoreMiddles
By Essay Issue 72
The following passages are excerpted from Still: Notes on a Mid-Faith Crisis, a “non-memoir” by Lauren Winner. © 2012 by Lauren Winner. Reprinted by permission of HarperOne, an imprint of HarperCollins Publishers. Middles might be said to be under-theorized. There is an abundance of work on opening and closure, but very little discussion of…what…
Read MoreAdrian Wiszniewski: A New Heaven and a New Earth
By Essay Issue 72
ON MAY 29, 1996, Glasgow City Council opened its new Gallery of Modern Art in the Royal Exchange Building. At a cost of almost 10 million pounds, the renovation transformed what had once been Glasgow’s great temple of commerce into a shrine to modern art. The Exchange Building stands on Queen Street, long ago a…
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