A Bookwright’s Tale
By Essay Issue 71
MY BROTHER SAID that I was a lazy dreamer when I was a kid. In a letter he wrote to me shortly before he died he said that all I did was sit around drawing pictures and reading books while he cut the grass, cleaned out the gutters, and painted the trim on the house. Well,…
Read MoreThe Operation of Grace
By Essay Issue 70
The following is adapted from a commencement address given for the Seattle Pacific University master of fine arts in creative writing on August 6, 2011. I’D LIKE TO SHARE a few thoughts with you that I hope are appropriate for the occasion, words derived from two texts we’ve studied together, T.S. Eliot’s Four Quartets…
Read MoreOur Last Suppers
By Essay Issue 73
I’VE NEVER GIVEN myself an enema in front of anyone,” Christy says. We have arrived at a new stage in our friendship. And technically she’s not giving herself an enema in front of me. She readies what looks like a baster for a small turkey, and then I sit in the anteroom, next to the…
Read MoreArt from the Inside
By Essay Issue 71
Chuck Colson I ARRIVE IN TORONTO during gay pride week. The lampposts lining the city streets fly rainbow flags. Inside the Sheraton are still more rainbows, small ones on sticks stuck into the mulched flowerbeds surrounding the ten-foot waterfall cascading into a pool edged with flagstones. Every time I see one, I can’t help wondering…
Read MoreVarieties of Quiet
By Essay Issue 73
I HAVE TRIED to learn the language of Christianity but often feel that I have made no progress at all. I don’t mean that Christianity doesn’t seem to “work” for me, as if its veracity were measured by its specific utility in my own life. I understand that my understanding must be forged and reformed within…
Read MoreA Spade is Not a Spade: The Art of Fabian Debora and the Mystery of Los Angeles
By Essay Issue 71
THE SPADE, ACCORDING to artist and former East Los Angeles gang member Fabian “Spade” Debora, is the craftiest card in the deck, the card that “takes all. The spade is a subtle and powerful symbol.” From that childhood insight, gleaned growing up in one of Los Angeles’s most violent public housing projects, came the graffiti…
Read MoreCorona de Espinas
By Essay Issue 73
Migrant Farm Workers, a Medieval Mystery Play, and the Future of Religious Art in America ON A CLEAR, COLD DECEMBER evening a few weeks before last Christmas I sat in a 215-year-old adobe church and listened to the devil preach the gospel. The devil, or Luzbel as he was named in the play I…
Read MoreA Celebration of Transient Beauty: The Photographic Art of Paul Kenny
By Essay Issue 73
I suppose if the main challenge I set myself is to make increasingly beautiful work, the simpler the image the better, the more ideas the better, so the other variable is to make those images out of more and more insignificant material: a splash of dried seawater, a rusting can bottom, a handful of sand,…
Read MoreBreath
By Essay Issue 71
The wind bloweth where it listeth, and thou hearest the sound thereof, but canst not tell whence it cometh, and whither it goeth: so is every one that is born of the Spirit. —————————————John 3:8 THE SUMMER OF 1968, though it mourned the recent assassination of Martin Luther King Jr. and shuddered at the murder…
Read MoreThe Cave and the Cathedral
By Essay Issue 73
IN 1994, THREE SPELUNKERS were looking for undiscovered caves in the Ardèche region of southeastern France. The region is named after the Ardèche River, which has cut through limestone for millennia and created hundreds of caves. On a summer weekend expedition they came across a place in a cliff wall where they sensed a draft…
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