More on: Essays

The Word-Soaked World Troubling the Lexicon of Art and Faith Since 1989, Image has hosted a conversation at the nexus of art and faith among writers and artists in all forms. As the conversation has evolved, certain words have cropped up again and again: Beauty. Mystery. Presence. For this issue, we invited a handful of…

The Word-Soaked World: Troubling the Lexicon of Art and Faith   Since 1989, Image has hosted a conversation at the nexus of art and faith among writers and artists in all forms. As the conversation has evolved, certain words have cropped up again and again: Beauty. Mystery. Presence. For this issue, we invited a handful…

The following is adapted from an address given at the Wild Goose Festival in Corvallis, Oregon, on September 1, 2012. BEFORE I CAME DOWN here to deliver this talk on how art and social justice should—and shouldn’t—mix, I posted on Facebook that I was preparing by reading the works of various writers. One commenter singled…

Power in the Blood: Hollywood and the Myth of Religious Violence   ON OPENING NIGHT of the 2012 South by Southwest Film Festival, I stood at the end of a line that wrapped around a couple blocks of downtown Austin, Texas. I was in town primarily for work, not festival fun, but I had finagled a…

Decay and Resurrection: An Engineer on the Ecosystem of Abandoned Buildings   THERE’S A DENTIST’S OFFICE captured in photographs that, along with a number of companion images, got quite a bit of circulation in print and on the internet a few years back. The narrow, confined operating room, nested high in an office tower, is…

AT THE TIME Emily Dickinson wrote many of her poems, Charles Darwin had just published The Origin of Species and Henry David Thoreau had just published On Walden Pond. And amidst all that publishing of independence and evolution, the scheduled creation of the world thrown into doubt, the need for community questioned, a singular woman sat behind…

A MURDERER was living around the corner—on Smith Street. I saw them filming America’s Most Wanted in front of his building,” said the old woman in the Key Food on Atlantic Avenue yesterday, talking to the manager in his booth. “You don’t know who is a killer today and who isn’t. Have a nice day.” And…

THE RELATIONSHIP between ethics and aesthetics has preoccupied me off and on since the summer of my eighteenth year. It was 1965, and I’d just returned from several months working as a volunteer in the civil rights movement in Mississippi and Alabama. I spent the majority of my time in jails. My reasons for driving…

AMID THE USUAL eclectic lower Manhattan gallery offerings of Swiss cow-decorated milk bottles, comic-book art of the Oism faith, and an installation of banners with bankrupt bank logos, the opening of the exhibition Redemption at Flowers in Chelsea last spring, featuring four huge oil paintings of Christ’s death and resurrection by Scottish artist Peter Howson, qualified as…

Of Mind and Matter The Art of Terry Maker   GALLERY-GOERS who stumbled unaware into Reckoning, a 2012 exhibition at the Colorado Springs Fine Arts Center, could be forgiven for assuming that they were viewing a group show, not a retrospective of the work of Terry Maker. Nearly ten thousand feet of gallery space overflowed…