More on: art and science

So little is legible: glacial till, the moonlight on an iced-over ditch, The moon itself—an opal pruning hook. He could go on like this: list after list, A compendium apropos of nothing more than to place the speaker here, Pointing north, bewitched like a compass needle. Hard to make much that resembles poetry out of…

Chickasaw poet, essayist, and fiction writer Linda Hogan’s essay in the Image issue 79 is a lyric meditation on the migration of sandhill cranes and their connection to the Platte River in Nebraska. It explores the links between the natural world and human making—and sets forth a way of standing in awe before nature.    Image: The…

Artist Natalie Settles, featured in Image issue 85, has long been fascinated by the biological sciences. She makes drawings and installation art that mix highly detailed botanical and zoological imagery with highly stylized forms, like Victorian decorative motifs. Her installation works are interactive; they use a gallery space to create an ecosystem in which the viewer…

Darwin’s Century: Evolution and the Men Who Discovered It by Loren Eiseley (Doubleday, 1958) Science and Faith: A New Introduction by John F. Haught (Paulist, 2013) Ask the Beasts: Darwin and the God of Love by Elizabeth A. Johnson (Bloomsbury, 2014) Living with Darwin: Evolution, Design, and the Future of Faith by Philip Kitcher (Oxford, 2007)  …

Reading from Two Books Nature, Scripture, and Evolution   In the Middle Ages, philosophers and theologians described nature as a book, a coherent work in which we could glimpse the mind of God. Like scripture, the book of nature bore the divine imprint—the Imago Dei—and the two books were seen as complementary. In the centuries…

Reading from Two Books: Nature, Scripture, and Evolution   In the Middle Ages, philosophers and theologians described nature as a book, a coherent work in which we could glimpse the mind of God. Like scripture, the book of nature bore the divine imprint—the Imago Dei—and the two books were seen as complementary. In the centuries…

Reading from Two Books: Nature, Scripture, and Evolution   In the Middle Ages, philosophers and theologians described nature as a book, a coherent work in which we could glimpse the mind of God. Like scripture, the book of nature bore the divine imprint—the Imago Dei—and the two books were seen as complementary. In the centuries…

Reading from Two Books: Nature, Scripture, and Evolution   In the Middle Ages, philosophers and theologians described nature as a book, a coherent work in which we could glimpse the mind of God. Like scripture, the book of nature bore the divine imprint—the Imago Dei—and the two books were seen as complementary. In the centuries…

Reading from Two Books: Nature, Scripture, and Evolution   In the Middle Ages, philosophers and theologians described nature as a book, a coherent work in which we could glimpse the mind of God. Like scripture, the book of nature bore the divine imprint—the Imago Dei—and the two books were seen as complementary. In the centuries…

Jeremy Begbie is the inaugural holder of the Thomas A. Langford Research Professorship in Theology at Duke Divinity School and founding director of Duke Initiatives in Theology and the Arts. He teaches systematic theology and specializes in the interface between theology and the arts. With his PhD from the University of Aberdeen, Begbie has taught…