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Recognizing the Stranger: The Art of Emmanuel Garibay

By Rod Pattenden Essay

ART MAY BE CONCERNED with the creative manipulation of images, but words are always part of the picture. When we encounter a work of art, a load of labels and captions, categories and explanations always works to help or hinder our better understanding. Some are printed on the wall beside the work; others we carry inside…

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Paradox of Flesh: The Art of Chris Ofili

By Charles Pickstone Essay

THE WORK OF British-born artist Chris Ofili, Turner Prize–winner in 1996 and 2003 British representative at the Venice Biennale, poses a particular challenge. Almost every review of his major 2010 retrospective at London’s Tate Britain alluded to the “spirituality” of the work of this former altar boy; the artist himself often gives religious titles to…

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Marc Quinn: The Matter of Life and Death

By James Romaine Essay

IN  2009, BRITAIN’S NATIONAL Portrait Gallery acquired Self by Marc Quinn. The museum’s press release described the work as “unconventional, innovative, and challenging.” That is an understatement. Self is made of eight pints of Quinn’s own blood, approximately the amount in an adult male body. It was extracted over a period of a year, then…

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Adrian Wiszniewski: A New Heaven and a New Earth

By Richard Davey Essay

ON MAY 29, 1996, Glasgow City Council opened its new Gallery of Modern Art in the Royal Exchange Building. At a cost of almost 10 million pounds, the renovation transformed what had once been Glasgow’s great temple of commerce into a shrine to modern art. The Exchange Building stands on Queen Street, long ago a…

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The Mark of Cain

By Daniel A. Siedell Essay

Figure and Landscape in the Work of Enrique Martínez Celaya   “Today you are driving me from the land, and I will be hidden from your presence; I will be a restless wanderer on the earth….” Then the Lord put a mark on Cain so that no one who found him would kill him. —Genesis…

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Profound Faith, Profound Beauty: The Life and Art of Sadao Watanabe

By John A. Kohan Essay

Sadao Watanabe (1913–96) was a printmaker celebrated internationally for his depictions of biblical subjects using traditional Japanese techniques. A longer version of this essay will appear in Beauty Given by Grace: The Biblical Prints of Sadao Watanabe, published by Square Halo Books in conjunction with a traveling exhibit sponsored by Christians in the Visual Arts.…

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