More on: art

Sadao Watanabe (1913-96) was a printmaker celebrated internationally for his depictions of biblical subjects using traditional Japanese techniques. A longer version of this essay will appear in Beauty Given by Grace: The Biblical Prints of Sadao Watanabe, published by Square Halo Books in conjunction with a traveling exhibit sponsored by Christians in the Visual Arts.…

The Word-Soaked World Troubling the Lexicon of Art and Faith Since 1989, Image has hosted a conversation at the nexus of art and faith among writers and artists in all forms. As the conversation has evolved, certain words have cropped up again and again: Beauty. Mystery. Presence. For this issue, we invited a handful of…

The following is adapted from an address given at the Wild Goose Festival in Corvallis, Oregon, on September 1, 2012. BEFORE I CAME DOWN here to deliver this talk on how art and social justice should—and shouldn’t—mix, I posted on Facebook that I was preparing by reading the works of various writers. One commenter singled…

Decay and Resurrection: An Engineer on the Ecosystem of Abandoned Buildings   THERE’S A DENTIST’S OFFICE captured in photographs that, along with a number of companion images, got quite a bit of circulation in print and on the internet a few years back. The narrow, confined operating room, nested high in an office tower, is…

AMID THE USUAL eclectic lower Manhattan gallery offerings of Swiss cow-decorated milk bottles, comic-book art of the Oism faith, and an installation of banners with bankrupt bank logos, the opening of the exhibition Redemption at Flowers in Chelsea last spring, featuring four huge oil paintings of Christ’s death and resurrection by Scottish artist Peter Howson, qualified as…

Of Mind and Matter The Art of Terry Maker   GALLERY-GOERS who stumbled unaware into Reckoning, a 2012 exhibition at the Colorado Springs Fine Arts Center, could be forgiven for assuming that they were viewing a group show, not a retrospective of the work of Terry Maker. Nearly ten thousand feet of gallery space overflowed…

The photographs are separated by the turn of the page, so that to look at one is to conceal the other. In the first, reindeer scatter westward, their antlers unblooming trees upon the cave’s wall, their hooves roots snaking through barren rock, seeking distant water. In the second, the scene is repeated, but darkly, stripped…