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Web Exclusive: A Conversation with Morgan Meis

By Mary Kenagy Mitchell Interview

Morgan Meis blogs about philosophy and art criticism at The Smart Set. His essay “Conversion” in Image Issue 80 takes an oblique approach to his coming into the Catholic Church–it’s at least as much a portrait of the elderly Sri Lankan nun who catechized him as it is a personal essay.    Image: You are a…

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Things Come Alive: The Art of Olga Lah

By William Dyrness Essay

OLGA LAH DID NOT start out wanting to wrap buildings in electrician’s tape, fill huge spaces with billows of crumpled paper, or line galleries with great swathes of plastic bottle caps. She did not set out to be an artist at all—let alone one catching the attention of the art world in Los Angeles and even…

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Carnal Beauties: The Art of Allison Luce

By Linda Stratford Essay

CERAMICIST ALLISON LUCE makes biomorphic portraits that seem almost excessively beautiful. Each piece revels in its physicality, its undeniable materiality, in its earthy substance—clay—and organic forms. Her four-part Serpent Tree series serves as an apt introduction to her work. In Primoris Ortus, for example, assemblages of swelling, vegetative curves stand alongside works suggestive of eroded rock…

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Mirrormind: Lia Chavez and the Artistic Process

By Katie Kresser Essay

Neither the action nor the actors can be anticipated…. They begin as an unknown adventure in an unknown space.          —Mark Rothko, 1947 OUR ENCOUNTER with reality is endlessly generative. Both Subject and Object, the contemplative and the contemplated, are replete with a beautiful, orderly complexity. The authentic artwork—glittering, effulgent with metaphysical…

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Forward into the Dark

By Nick Ripatrazone Essay

Forward into the Dark: Twenty-Five Years of Ambition   IN “THE IRRATIONAL ELEMENT IN POETRY,” Wallace Stevens explains that the unknown “excites the ardor of scholars, who, in the known alone, would shrivel up with boredom…. [W]e may resent the consideration of [the unknown] by any except the most lucid minds; but when so considered,…

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Cotton Mather Examines Four Children Afflicted by Witchcraft

By Graham Hillard Poetry

Boston, 1688 Four years before Salem would lose itself to hysteria, Mather knew already the subtle workings of the devil, how an oak might shrivel overnight, its leaves as brown and parched as hostler’s leather; or a widow’s fields surrender to drought, her sons unable to save them, while a neighbor’s thrived. Only by confession…

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By Graham Hillard Poetry

The photographs are separated by the turn of the page, so that to look at one is to conceal the other. In the first, reindeer scatter westward, their antlers unblooming trees upon the cave’s wall, their hooves roots snaking through barren rock, seeking distant water. In the second, the scene is repeated, but darkly, stripped…

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By Morgan Meis Essay

MY WIFE AND I were living in Sri Lanka when I suddenly found myself baptized into the Roman Catholic Church. I don’t regret it one bit, mind you. But it was surprising at the time. In retrospect, there were signs. My father was sent to Jesuit boarding school as a youth, and though he later left…

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Quantum Theory

By Victoria Kelly Poetry

Fifty years ago, in Catholic school, a nun gave my mother a ribbon said to have been touched by a saint. This was when her brother was still alive, and masses were still read in Latin, and people still wandered across the street to other people’s houses in the evening. Now the school is coming…

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