Watching Movies with Augustine: On Scorsese’s Killers of the Flower Moon
By Editorial Issue 119
When I go to the movies—well, when I go anywhere—Saint Augustine is always nearby. He lives in my head (and heart) rent free.
Read MoreAugustine
By Poetry Issue 117
I do not know / where pleasure leads,
Read MoreA Devotional Temperament: A Conversation with Garth Greenwell
By Interview Issue 106
One of the extraordinary accomplishments of the Confessions is to find a syntax that doesn’t deny impasse or dilemma, but that also doesn’t allow impasse or dilemma to become stagnant.
Read MoreThe Gift of Not Knowing
By Editorial Issue 103
Unknowing might be a way to relate to God anew. You might call this mystery.
In our information age, we need spiritual exercises of ex-formation.
Read MoreApologia
By Poetry Issue 59
However innocent your life may have been, no Christian ought to venture to die in any other state than that of the penitent. —————————————————–—Saint Augustine I have been sodden with wine. I have been confused by wine. I have been lied to by men, And yet, I lie down upon such men, Still and willing…
Read MoreThe Field
By Poetry Issue 71
I have often been afraid to think of Augustine thinking, his mind a field, he confesses, that must be worked with much cost and sweat, and he the farmer laboring. Just knowing how little one can know is enough for most, but not Augustine— whatever crept around in his mind had no right to privacy.…
Read MoreOn Visiting Carthage
By Poetry Issue 75
In high-school Latin, I first read Augustine and wary could not, even threatened by grades, be made to care for his florid rhetoric or thieving of pears. Uphill I trudge from the Antonine baths Augustine must have known. The basement remains where puddles reflect fallen columns, their leafy capitals upside down. A corner maquette under…
Read MoreAugustine’s Seven Habits of Highly Effective Writers
By Essay Issue 82
The following is adapted from a commencement address given at the Seattle Pacific University MFA in creative writing graduation in Santa Fe on August 9, 2014. IN THE RAPIDLY CHANGING, cutthroat literary marketplace—where it’s easy to get published but harder to make any money or sustain a career—my usual commencement address, based as it…
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