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The Rosary

By Ann Conway Essay

I SOMETIMES CARRY a rosary these days, a Spanish one of wooden beads that a friend gave to me. I used to think that it reflected the same impulse as needlework, which I do inexpertly—a desire for the consolation of repetition. Now I consider it a spiritual discipline, as I try, in middle age, to…

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A Conversation with Madeline DeFrees

By Jennifer Maier Interview

Madeline DeFrees is the author of two chapbooks and eight full-length poetry collections, including Spectral Waves (Copper Canyon, 2006) and Blue Dusk (Copper Canyon, 2001), winner of the 2002 Lenore Marshall Poetry Prize and a Washington Book Award, as well as two books of nonfiction about convent life. She spent many years as a nun…

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A Conversation with Les Murray

By J. Mark Smith Interview

In 2007, Dan Chiasson wrote in the New Yorker that Australian poet Les Murray is “now routinely mentioned among the three or four leading English-language poets.” His awards include the Grace Leven Prize, the Kenneth Slessor Prize, the Petrarch Prize, and the prestigious T.S. Eliot Award. In 1999 he was awarded the Queens Gold Medal…

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Lament

By Allison Backous Essay

How I would like to believe in tenderness— —Sylvia Plath, “The Moon and the Yew Tree”   HOLY SEPULCHRE Mausoleum and Cemetery sits in a fenced green block on Ridgeland and 111th Street, five minutes south of my apartment. I pass that corner at least once a week, and when I pass it, I pass…

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The Cathedral of Barcelona

By Miguel de Unamuno Poetry

In 1907, at forty-three years of age, Miguel de Unamuno y Jugo published his first book of poetry, titled simply Poesías (Poems). Already well known in Spain as a prominent intellectual and the rector of the University of Salamanca, by this time Unamuno had produced novels, essays, and works of philosophy. Yet in the verse…

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A Conversation with Patricia Hampl

By Robert Clark Interview

Born in Saint Paul, Minnesota, Patricia Hampl first won recognition for A Romantic Education (Houghton Mifflin), a memoir about her Czech heritage which received a Houghton Mifflin Literary Fellowship, and then for Virgin Time (Farrar, Straus and Giroux), a book about her Catholic upbringing and an inquiry into contemplative life. Called “the queen of memoir” by the…

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Nothing Happens: Everything Happens

By Robert Clark Essay

THEY WILL ALL LEAVE, first my brother-in-law, who is frank about his tastes, and then the others, borne away on several tides of pretext—the bathroom, pots on the stove, the freshening of drinks—from which none return. Now it’s just me watching, lying belly down on the bed where I used to sleep with my wife.…

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The Poetry of Exile

By Gregory Wolfe Essay

HISTORY IS WRITTEN by the victors, so the saying goes. It would be pleasant to believe that the history of literature (or the arts in general) might prove an exception to this rule, that artistic merit will always be recognized in its own time, regardless of fashion or ideology. But we know that’s not true.…

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Adrian Wiszniewski: A New Heaven and a New Earth

By Richard Davey Essay

ON MAY 29, 1996, Glasgow City Council opened its new Gallery of Modern Art in the Royal Exchange Building. At a cost of almost 10 million pounds, the renovation transformed what had once been Glasgow’s great temple of commerce into a shrine to modern art. The Exchange Building stands on Queen Street, long ago a…

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A Conversation with David Adams Richards

By Mary Kenagy Mitchell Interview

Born in 1950 in Newcastle, New Brunswick, David Adams Richards is one of Canada’s most prolific and powerful writers. His first novel The Coming of Winter was published in 1974, followed by three more novels from Oberon, a small press in Ottawa. In 1988 his Nights below Station Street (McClelland and Stewart) won the prestigious…

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