More on: ekphrastic

Pieter Claesz, 1641 Such an austere palette! Such an embarrassment. Such riches! —A flute of currant-red liquid, —-black and red currants in a silver bowl, rhyming red beads on the lacquered finish of the fork-and-knife set, a red —-and black string (the sole blood ——-coursing through this body, save a flush of the wall left…

Do you remember the seraphim in that Romanesque fresco we were looking at in the room of the Master of Pedret? They looked straight at us, hands outstretched, as if they refused to die under the effects of depigmentation that was erasing them from the kingdom of light. They’re symbols of love—Hosanna, Hosanna, Hosanna—peeling and…

The pain passes, ——but the beauty remains.                             —Renoir Wandering the Musée de l’Orangerie with my sister, we find a bouquet of roses painted in 1878 by Auguste Renoir, voluptuous white roses placed in a red velvet chair. My sister says Renoir’s last word was “flowers” and that toward the end of his life he…

If the painting-within-the-painting, hanging on the wall behind the standing woman— with its sinners wailing at Christ’s feet on Judgment Day— if that might be one way of looking at it, then the woman herself, who half obscures the painting, is another. All we know of her is what we see: how—weightless, effortless as flame—she…