Failure Is Fertile Ground: Notes on Painting
By Essay Issue 101
If a painting is worth experiencing at all, it must be affirmed as this emulsion, which reveals itself only to the attentive gaze, though a glance might be the first encounter.
Read MoreLife After Thirty | Collaboration and Community: Sedrick Huckaby
By Interview Issue 100
I would like to say that since turning thirty, my work has become more efficient, that I have learned how to say more with less. Unfortunately, the reality is quite the opposite.
Read MoreLife After Thirty | The Path of Vocation: Wayne Forte
By Interview Issue 100
It has been rewarding but also difficult to reclaim the childhood that I left in the Philippines. I left when I was three years old, taking only sensory memories and the memories I carried in my blood.
Read MoreLife After Thirty | The Path of Vocation: Catherine Prescott
By Interview Issue 100
What has changed me since turning thirty is a result of my Christian conversion. What I wanted as a painter was always there, but when I met God, he told me, “You can paint anything you want.”
Read MoreAdrian Wiszniewski: A New Heaven and a New Earth
By Essay Issue 72
ON MAY 29, 1996, Glasgow City Council opened its new Gallery of Modern Art in the Royal Exchange Building. At a cost of almost 10 million pounds, the renovation transformed what had once been Glasgow’s great temple of commerce into a shrine to modern art. The Exchange Building stands on Queen Street, long ago a…
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