Springtime Romance
By Poetry Issue 113
On the decay of flowers. “I love the way they teach me to love / the things I can’t get close enough to.”
Read MoreDivine Intimations: Contemporary Floral Design for Sacred Spaces
By Visual Art Issue 112
Even John Calvin, who forbade the use of images in worship, waxed eloquent on the beauty of the natural world and the presence of God in the theater of creation. Arranged flowers seem an ideal way to bring that “third book” of God into the sacred space.
Read More“Remember Me as One Who Woke Up”
By Poetry Issue 89
Carrying flowers in a vase in a high wind is similar to Herding butterflies without a net. All of the beautiful colors wind-surfing down and away, Sweet release of all we held dear. And that is the way it goes, Rose petals flat-hatting down the interminable divides. So hold on tight, raven breath, Hold on…
Read MoreA Prayer for Home
By Poetry Issue 86
This November, the pears are as hard as wood but taste like the honeysuckle I used to pick from the chain-link fence in the alley, nipping the end and drawing the stamen out, slowly, until that one sweet drop beaded at the bottom—one of the houses is wild with honeysuckle. When I came to You…
Read MoreMusic
By Poetry Issue 63
The Joseph lilies sway, in choir, a silent chorus of white-coifed nuns; you stand, distant from them, child of God, suffering God. On sodden fields a flock of chittering starlings shifts; the eye is never worn with seeing, nor the ear filled with hearing. Leaves of the eucalyptus multiply and your solicitous murmurings sound like…
Read MoreHens and Chicks
By Poetry Issue 67
After I decided the spectacular sewer pipes planted with hens and chicks were too tacky to keep, I started to love those succulent single moms, also called common houseleek and long ago planted on thatched roofs to protect homes from lightning bolts. Stone rose, sacred to Jupiter in the south, Thor in the north, emblem…
Read MoreMarc Quinn: The Matter of Life and Death
By Essay Issue 69
IN 2009, BRITAIN’S NATIONAL Portrait Gallery acquired Self by Marc Quinn. The museum’s press release described the work as “unconventional, innovative, and challenging.” That is an understatement. Self is made of eight pints of Quinn’s own blood, approximately the amount in an adult male body. It was extracted over a period of a year, then…
Read MoreFist
By Poetry Issue 69
The leaves on the lawn are brown. Beneath them, the wet ground. Beneath them, the silver roots. Beneath them, the darkness. Given the chance to change, you hold on, the fist a clenched bulb. Last year’s tulips come up again, smaller, shorter, failing— the stunted stem a symptom. The rain tastes like copper, an old…
Read MoreCanticle of the Penitent Magdalene
By Poetry Issue 69
Even so the peaches are ripe, their pelts cat’s tongue to my touch. Even so the fierce poppies tremble. Even so every night a dense blue like cold stones in my mouth. Even so death rides the air, flitting and veering like bats, brushing my outstretched arms, in passing. Even so I dreamed the dream…
Read MoreStill Life with Lily
By Poetry Issue 75
An oyster-white lily, inner walls of plaster, the stoma lit like an orange candle, the petals’ undersides like the satin trim on lingerie, or a corrugated fan. White as a cloud cornice, egg shell, whitish spiders just visible on petal-skin of nearly the same color— the description untenable, improbable to the eye, the stillness never…
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