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In Cutaway

By Michael Symmons Roberts Poetry

Stands me, though it could be any of us, sliced open, scalp to instep, en pointe in formaldehyde inside a glass case like some macabre Houdini stunt. This may be a fin-de-siècle end-of-pier show, a sicko’s private gallery, a future museum of mortality—I’d be the last to know: dutiful sentry in cross-section, everlasting witness to…

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By Erin McGraw Essay

The Word-Soaked World: Troubling the Lexicon of Art and Faith   Since 1989, Image has hosted a conversation at the nexus of art and faith among writers and artists in all forms. As the conversation has evolved, certain words have cropped up again and again: Beauty. Mystery. Presence. For this issue, we invited a handful…

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By Graham Hillard Poetry

The photographs are separated by the turn of the page, so that to look at one is to conceal the other. In the first, reindeer scatter westward, their antlers unblooming trees upon the cave’s wall, their hooves roots snaking through barren rock, seeking distant water. In the second, the scene is repeated, but darkly, stripped…

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How the Light Gets In

By Chris Hoke Essay

The Road Ahead Voices for the Next Twenty-Five Years Many gifted artists and writers of faith working today were just learning how to read and hold their crayons when Image was founded. They never experienced the culture wars of the eighties that weighed so heavily on an older generation; theirs are a different set of…

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Far as the Curse is Found: The Art of Scott Kolbo

By Cameron J. Anderson Essay

The prophet is a realist of distances, and it is this kind of realism that you find in the best modern instances of the grotesque.                             —Flannery O’Connor, Mystery and Manners SOME MONTHS AGO, while traveling, I walked full-force into the sloping ceiling of the unfamiliar guest room where I was staying. The blow to…

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