More on: James K.A. Smith

The God who risked appearing in the flesh is the same God who leaves it to artists to bear witness.

Our solitude turns out to be crowded. The writer’s tiny hut is filled with ghosts; the painter’s chilly studio is populated by unseen rivals; in the poet’s hard-won hideaway, invisible influences lurk. Others are always already there. So much for the romantic myth.

Poetic Theology: God and the Poetics of Everyday Life William A. Dyrness Eerdmans, 2011 CONTEMPORARY theology is a lot of things, but poetic it is not. Quite the contrary: long captivated by the supposed rigor of a flattened rationalism, and saddled with a desire for intellectual respectability, theology speaks in the jargon-laden tongue of the…