Heart’s Companion: Listening to Leonard Cohen
By Essay Issue 79
Somebody said, “Lift that bale.” THE EPIGRAPH to Leonard Cohen’s second novel, Beautiful Losers, is attributed to “Ray Charles singing ‘Ol’ Man River.’” Not to Oscar Hammerstein, who wrote the lyrics, but to one of the song’s many singers. This was back when Cohen was known primarily as a novelist and poet, before he had performed…
Read MoreThe Neighbor
By Short Story Issue 79
JACOB FELT TERRIBLE: he had slept through the whole thing. The ambulance, the EMTs. It had happened at seven in the morning, and his alarm had been set for eight. Was it better or worse that no one else in the hall heard anything either? Mrs. Wilkinson had been taken away, and she had not…
Read MoreMusic without Labels
By Essay Issue 80
The Road Behind Us Image’s Founding Generation When Image was founded in 1989, the cultural landscape looked different than it does today. Religious writers and artists felt cold-shouldered in the public square and often ill at ease within the church. The need for a journal that demonstrated the continuing vitality of contemporary art informed by…
Read MoreThe Subject of Longing
By Essay Issue 82
So many things to see in this old world But all I can see is you. —“Together Alone,” 1970 The following is excerpted from Bruce Cockburn’s memoir, Rumours of Glory, forthcoming this November from HarperOne. IN LATE 1966 I WAS INTRODUCED to two people, in very different circumstances, who would have a profound effect…
Read MoreA Conversation with David Bazan
By Interview Issue 82
Singer-songwriter David Bazan was frontman of the indie-rock band Pedro the Lion for ten years, recording four albums and five EPs. He has also recorded with side projects including Headphones, Undertow Orchestra, and Overseas. In 2005, Bazan began touring and recording under his own name, starting with the EP Fewer Moving Parts. With Pedro the…
Read MoreThe Evolving Song
By Essay Issue 85
Reading from Two Books Nature, Scripture, and Evolution In the Middle Ages, philosophers and theologians described nature as a book, a coherent work in which we could glimpse the mind of God. Like scripture, the book of nature bore the divine imprint—the Imago Dei—and the two books were seen as complementary. In the centuries…
Read MoreA Conversation with Jeremy Begbie
By Interview Issue 85
Jeremy Begbie is the inaugural holder of the Thomas A. Langford Research Professorship in Theology at Duke Divinity School and founding director of Duke Initiatives in Theology and the Arts. He teaches systematic theology and specializes in the interface between theology and the arts. With his PhD from the University of Aberdeen, Begbie has taught…
Read MoreReturn to the Beginning
By Poetry Issue 85
The scrambled eggs, already fried and fragrant on a plate, slip back into their shells; each smooth white egg sails toward its vagrant mother chicken, roosts in a fertile cell. The melody beats back to eighth notes which settle, dark spots on the snowy staff of bass and treble clefs, then briefly float through Bach’s…
Read MoreThe Music before the Music
By Poetry Issue 85
When the concertmaster gestures to the oboe, silence flutters through the massive hall. Then comes the tuning up. Before that, though— go back. Before the obedient violin falls to his A, before the flutes, trombones, and tuba head like horses in the same direction to plow and plant one of Beethoven’s great fields. Go back.…
Read MorePavane for a Dead Princess
By Short Story Issue 85
JODI AND I WERE PLAYING the Ravel. Her parents had been texting her for almost an hour, and though Jodi was ignoring them with a theatrical nonchalance, I knew it was only a matter of time before they tried my apartment. Not that they would get anywhere. For days now, my mother and I had…
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