What He Knew
By Poetry Issue 100
What He Knew _____ for David :: Before Alzheimer’s and during it when he spoke in stray words or in sounds he sometimes moved his hands like birds _____ in flight… so that, watching his hands punctuate the air I’d ask myself Am I watching birds disappear? Or a flower, opening? :: “If we…
Read MoreTo My Future Caregiver
By Poetry Issue 100
I give you my thanks. Perhaps
you see that in my eyes, although
the only words I have left
are no doubt cruel.
Inside, she watches the hands of men
By Poetry Issue 100
mother
tongue she was used to holding, now she uses it to say
the things she means, what God has shown her
Shirley’s Spaniel
By Poetry Issue 100
To be a priest
is to widen your arms
to hold the great sorrow
Cutting Hair
By Poetry Issue 100
I wrap you in a cape and snug it with a clip.
How careful I must be, rounding
your good ear with scissors, the ear
my tongue loves to kiss, apricot-sweet,
and loves, too, the bad ear and its ghosts.
My Grandfather in Green
By Poetry Issue 100
Did you put him
on the canvas to get one more Jew out
of harm’s way?
We Lift Each Other into Light: Painting, Music, and Poetry in Conversation
By Essay Issue 100
I was warned by teachers and fellow artists against allowing my work to be influenced by others. But I have never really been convinced by the notion of being original.
Read MoreOpen, Empty Hands
By Essay Issue 100
In a passing moment at the door, Merrill captures a truth about the influence of friendship. Through the unaware examples of others, we recognize values we have been searching for in ourselves—edges or shades of the person we might become.
Read MoreAnonymous in the Rain
By Poetry Issue 100
First we cry.
Then the tears turn to stone.
Then we remember just one thing:
The death of a son.
Four Sonnets for Monica Hand
By Poetry Issue 100
The nurses took off the sterile white net,
tied your hair back from your beautiful face,
and detached the machines to let you die.


