More on: postmodernism

We’re talking here about two projects: rereading art history to recover a wider context for religious meaning, and rereading it to recover a wider sense of the art historical project. You are aiming at the first, which is the larger and more important one, but our examples have been mainly the second, which would be a tonic to the discipline.

IRONY, it seems, is the hot topic of the moment. The trigger for this spate of op-eds and Sunday arts-section essays is the recent publication of a book by a graduate student at Yale University. Nearly all of the reviewers and commentators treated this young man’s book the way my kids treat a box of…

HAVING been a participant in any number of roundtables and panels on the state of religion in America, and in particular the relationship between faith and culture, I’ve grown accustomed to hearing my conservative colleagues argue that contemporary writers of faith are flabby compared to the more muscular writers of the early and mid-twentieth century.…

IN A SCENE from book 4 of Milton’s Paradise Lost, Adam and Eve talk one evening of the glories of Eden and their unmerited free creation by God, unaware that they are being watched by Satan. This little scene takes place shortly after Satan’s shape-shifting arrival in Eden and serves as a kind of foreshadowing…

IT WAS THE FIRST FULL DAY of the fall semester at the New York Academy of Art, and California artist Noah Buchanan was riding the Number 2 subway to lower Manhattan’s Tribeca district where he would disembark five blocks south of the school. The Brazilian beat of Paul Simon’s Rhythm of the Saints thrummed on…

There is nothing new under the sun.                                 —Ecclesiastes 1:9 Behold, I make all things new.                                 —Revelation 21:5   TO CELEBRATE OUR twenty-fifth anniversary this year we chose the theme “Making It New.” It seemed a simple enough decision. This journal exists to publish art and literature that engage the western faith traditions in…