Web Exclusive: A Conversation with Kathy T. Hettinga
By Interview Issue 66
Kathy Hettinga has received many awards and honors for her artwork, including an Indiana Arts Fellowship, a Research Fellowship at The Institute of Sacred Music, Worship, and the Arts at Yale University, and the very first Scholar Chair from Messiah University. Her work is in the permanent collections of UCLA, the Armand Hammer Museum, the…
Read MorePixelated Glories: The Graphic Excursions of Kathy T. Hettinga
By Essay Issue 66
DESIGN IS ubiquitous. Design in its graphic manifestations is, well, frankly overwhelming. Streams of printed ephemera constantly assault us, from cherished journals, to the slumping pile of unread newspapers shoved behind an easy chair in the corner, to the blur of billboards, fliers, bulletins, and posters cluttering our horizon. The democracy of digital invention compounds…
Read MoreApproaching the Iceberg: Richard Meier’s Jubilee Church
By Essay Issue 66
AFTER A LONG CITY bus ride traversing the outskirts of Rome, including a few transfers and a bit of walking, I arrived just in time to hear the churchyard gate clang shut. This was no simple clicking of a latch, but a resounding, ringing crash—not the kind of sound that left any doubt as to whether…
Read MoreRecognizing the Stranger: The Art of Emmanuel Garibay
By Essay Issue 68
ART MAY BE CONCERNED with the creative manipulation of images, but words are always part of the picture. When we encounter a work of art, a load of labels and captions, categories and explanations always works to help or hinder our better understanding. Some are printed on the wall beside the work; others we carry inside…
Read MoreWeb Exclusive: Wayne Roosa Remembers Guy Chase
By Interview Issue 72
Guy Chase, the cover artist for Image issue 72, passed away last year at only fifty-six years old. Art writer Wayne Roosa knew Chase for years and worked with him in the art department at Bethel University. We asked him about his friend and colleague. Image: What most stands out to you as a hallmark of Guy…
Read MoreAdrian Wiszniewski: A New Heaven and a New Earth
By Essay Issue 72
ON MAY 29, 1996, Glasgow City Council opened its new Gallery of Modern Art in the Royal Exchange Building. At a cost of almost 10 million pounds, the renovation transformed what had once been Glasgow’s great temple of commerce into a shrine to modern art. The Exchange Building stands on Queen Street, long ago a…
Read MoreFrom the Lines of Life: Guy Chase and the Art of the (Extra)Ordinary
By Essay Issue 72
Although preparation for this article began in 2008, by the time it was completed Guy Chase had begun to lose his fight with cancer. He approved a near-final draft a few months before slipping away in his sleep on August 18, 2011, at the age of fifty-six. I am for an art that grows…
Read MoreArt from the Inside
By Essay Issue 71
Chuck Colson I ARRIVE IN TORONTO during gay pride week. The lampposts lining the city streets fly rainbow flags. Inside the Sheraton are still more rainbows, small ones on sticks stuck into the mulched flowerbeds surrounding the ten-foot waterfall cascading into a pool edged with flagstones. Every time I see one, I can’t help wondering…
Read MoreA Spade is Not a Spade: The Art of Fabian Debora and the Mystery of Los Angeles
By Essay Issue 71
THE SPADE, ACCORDING to artist and former East Los Angeles gang member Fabian “Spade” Debora, is the craftiest card in the deck, the card that “takes all. The spade is a subtle and powerful symbol.” From that childhood insight, gleaned growing up in one of Los Angeles’s most violent public housing projects, came the graffiti…
Read MoreA Celebration of Transient Beauty: The Photographic Art of Paul Kenny
By Essay Issue 73
I suppose if the main challenge I set myself is to make increasingly beautiful work, the simpler the image the better, the more ideas the better, so the other variable is to make those images out of more and more insignificant material: a splash of dried seawater, a rusting can bottom, a handful of sand,…
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