Still Points: The Quiet Spaces of Wolfgang Laib
By Essay Issue 53
Let us start from one admitted fact: if prayer, meditation, and contemplation were once taken for granted as central realities in human life everywhere, they are so no longer. They are regarded, even by believers, as somehow marginal and secondary: what counts is getting things done. ————-—Thomas Merton, from Contemplation in a World of Action…
Read MoreA Geology of the Sacred: Stephen Cox Reopens the Ancient Quarries
By Essay Issue 55
MY ATTENTION WANDERED from the closely printed pages of my first Bible, inscribed for darling Thomas from Gran April 1943, to its all too few illustrations. This was wartime England, with rationing. The picture pages showed brightly lit scenes of temple worship furnished, as it were, from Harrods. Jesus was turned out in clothes better…
Read MoreBarry Krammes: Shepherd of the Wasteland
By Essay Issue 55
WHEN I WAS A CHILD, I found, embedded in one of my parents’ liqueur bottles, a tiny brass wine goblet, a decorative marketing ploy. The toy-like quality of the goblet and the forbidden place I found it made it irresistible to me. I’ve kept it through the years: too small to display but too precious…
Read MoreOliver Barratt: Poetry of the Void
By Essay Issue 57
THE PHERICHE CLINIC clings to a windswept, rocky plateau two day’s hike below Everest Base Camp. Dwarfed by the majestic Himalayan peaks that surround it, this collection of low stone buildings is the highest medical clinic in the world, offering climbers and those who live there the care and expert treatment that are essential in…
Read MoreGravity and Grace: The Art of Richard Serra
By Essay Issue 57
RICHARD SERRA’S Torqued Ellipse I and Torqued Ellipse II (1996-97), now permanently installed at Dia:Beacon, remind me of Simone Weil’s axiom that “All the natural movements of the soul are controlled by the laws analogous to those of physical gravity. Grace is the only exception” [see Plate 1]. These lines, from the opening of her book…
Read MoreWeb Exclusive: A Conversation with Dan Siedell
By Interview Issue 59
In the current issue of Image, #59, in an excerpt from a new book titled God in the Gallery: A Christian Embrace of Modern Art, Dan Siedell wrote about the importance of an “educated appetite” to understanding contemporary art. We sat down to ask him about how we go about developing such an appetite. Image: I…
Read MoreActive Sight: Vija Celmins and Jackson Pollock from Pictorialism to Perception
By Essay Issue 59
ON MAY 16 of this year, Night Sky #2 by Vija Celmins, on view at the 2008 Carnegie International at Pittsburgh’s Carnegie Museum of Art, was vandalized by one of the museum’s own security guards, who used a key to cut a gouge down the painting’s middle, damaging it beyond repair. While this act was…
Read MoreNight Vision: Jacques Maritain and the Meaning of Art
By Essay Issue 61
THE PEOPLE WE CALL artists have always gone into a dark space. A space turned inside-out. Not a somber space, where darkness is sadness, but a mysterious one—like the nighttime darkness of the imaginative child who marches golden caravans across his bedroom ceiling. The poet Homer, archetype of artists, was famously blind—yet out from his…
Read MoreAcquainted with the Night: The Art of Jerzy Nowosielski
By Essay Issue 61
I have stood still and stopped the sound of feet When far away an interrupted cry Came over houses from another street, But not to call me back or say good-bye; And further still at an unearthly height, A luminary clock against the sky Proclaimed the time was neither wrong nor right. I have been…
Read MoreThe House that Agnes Martin Built
By Essay Issue 63
A Grant of the Divine— That Certain as it Comes— Withdraws—and leaves the dazzled Soul In her unfurnished Rooms. ——————————Emily Dickinson PAINTER AGNES MARTIN, who died in Taos, New Mexico, in 2004, had the ability to make seemingly restrictive, minimalist forms pulse with life. Her paintings are nearly all made up of straight lines and…
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