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Gravity and Grace: The Art of Richard Serra

By James Romaine Essay

RICHARD SERRA’S Torqued Ellipse I and Torqued Ellipse II (1996-97), now permanently installed at Dia:Beacon, remind me of Simone Weil’s axiom that “All the natural movements of the soul are controlled by the laws analogous to those of physical gravity. Grace is the only exception” [see Plate 1]. These lines, from the opening of her book…

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Web Exclusive: A Conversation with Dan Siedell

By Mary Kenagy Mitchell Interview

In the current issue of Image, #59, in an excerpt from a new book titled God in the Gallery: A Christian Embrace of Modern Art, Dan Siedell wrote about the importance of an “educated appetite” to understanding contemporary art. We sat down to ask him about how we go about developing such an appetite.   Image: I…

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Night Vision: Jacques Maritain and the Meaning of Art

By Katie Kresser Essay

THE PEOPLE WE CALL artists have always gone into a dark space. A space turned inside-out. Not a somber space, where darkness is sadness, but a mysterious one—like the nighttime darkness of the imaginative child who marches golden caravans across his bedroom ceiling. The poet Homer, archetype of artists, was famously blind—yet out from his…

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Acquainted with the Night: The Art of Jerzy Nowosielski

By Artur Rosman Essay

I have stood still and stopped the sound of feet When far away an interrupted cry Came over houses from another street, But not to call me back or say good-bye; And further still at an unearthly height, A luminary clock against the sky Proclaimed the time was neither wrong nor right. I have been…

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The House that Agnes Martin Built

By Joanna Weber Essay

A Grant of the Divine— That Certain as it Comes— Withdraws—and leaves the dazzled Soul In her unfurnished Rooms. ——————————Emily Dickinson PAINTER AGNES MARTIN, who died in Taos, New Mexico, in 2004, had the ability to make seemingly restrictive, minimalist forms pulse with life. Her paintings are nearly all made up of straight lines and…

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Guy Kinnear: Male Call

By Gordon Fuglie Essay

IN THE MID-1980s, just shy of my fortieth birthday, I found myself out of work and divorced. It was a crash landing of all my aspirations, and crawling from the wreckage of two traumas, I was grieved, confused, desperate—cut off from the world I thought I understood. In the fragile years that followed, I tried…

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Let’s (Try To) Harmonize

By Barry Krammes Essay

Neighbors, Strangers,  Family, Friends Four Artists Reflect on Charis The traveling art exhibition Charis—Boundary Crossings: Neighbors Strangers Family Friends features work by seven Asian and seven North American artists. The show grew out of a two-week seminar in Indonesia sponsored by Calvin College’s Nagel Institute for the Study of World Christianity and the Council for…

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Dancing to Strange Music: Diversity and Faith in the Visual Arts

By William Dyrness Essay

We played the flute for you and you did not dance…. ——————————————–—Matthew 11:17 IN HIS INTRODUCTION to a collection of medieval Welsh tales, the late John Updike describes his reaction: we feel in reading these stories, he says, “as if we are dancing with a partner who hears a distinctly different music.” The Charis exhibit—an…

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