The Portion and the Sword
By Essay Issue 121
Further down is the Other Brown House. It’s where a man bled his family to death, one by one, with a knife.
Read MoreOrigin Story: The Future
By Poetry Issue 121
I was not allowed inside, so I pressed my
palm to the glass; my lifeline, written over
by lattice.
The Bog
By Essay Issue 121
What was empty is slowly refilled. No outlet, just rain and evaporation. Simple.
Read MoreForgiveness, and After
By Poetry Issue 121
Up the mountain light rushes.
So am I, following its dark future.
Fields of Revelation: A Conversation with Bruce Beasley
By Interview Issue 121
In many ways, all my poems are writings in a spiritual diary, both faithful and despairing (and seeking faith amid states of desolation).
Read MoreHoly Saturday
By Poetry Issue 121
In the corner of the kitchen window,
a crane fly is caught in a spiderweb.
It has not stopped struggling
all afternoon.
Spotted Lagoon Jellies
By Poetry Issue 121
agnus dei
By Poetry Issue 121
Unfaith. Is how that which. Without which. Is nothing.
Is nothing before and then after.
In the Studio
By Visual Art Issue 121
Devon DeJardin is a self-taught multimedia artist from Portland, Oregon, now based in Los Angeles. His paintings, drawings, and sculptures reference the body, forces of nature, and the application of philosophy to lived experience. His current work focuses on guardians-entities and forces that protect, guide, and challenge us to grow. Image: Could you talk…
Read MoreA Chamber in the Earth
By Visual Art Issue 121
Hear this essay read by the artist, along with field sounds from the forest site in Finland. —Striving to represent the world, we inevitably forfeit its direct presence. ——————————————— –David Abram I ARRIVE IN THE DARK SHIVER of January in Finland to begin work on my master’s degree in time and space arts. The…
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