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Lee Isaac Chung and Jeffrey Overstreet

Filmmaker Lee Isaac Chung and critic Jeffrey Overstreet in Conversation This conversation was recorded at the 2018 Glen Workshop where Lee Isaac Chung served as our screenwriting faculty. This winding discussion covers much of Chung’s filmography up to that point. Chung’s latest film, Minari, is getting rave reviews by critics and fans alike, and the…

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Untitled poem by Thomas J. O’Gorman

Face to face with our limits, Blinking before the frightful Stare of our frailty, Promise rises Like a posse of clever maids Who do not fear the dark Because their readiness Lights the search. Their oil Becomes the measure of their love, Their ability to wait— An indication of their Capacity to trust and take…

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I Love You, Tricia, but I’m Not a Believer

But by the time my father had lost his skunk-patterned hair and his fingernails yellowed, I had already found more trappings of eternity in poetry than in personified abstraction. It seemed to me that the only correct response was a slow-burning rage in which god, or an idea of one, did not factor at all, let alone anxieties about big-B Belief, a fact my father would probably lament but also understand.

On the day of his funeral—held at the same church in which holy water maybe beaded atop the head of Tricia’s casket—the dolorous organ seemed to enter me and vibrate within, as if trying to wake a part of me I’d long ago released.

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The Corps of Christ

By Heather CaliriJuly 8, 2020

Once upon a time I thought belonging just happened, was angry or ashamed when I couldn’t experience it. But togetherness happens with practice and intention. It takes everything: pain, grief, rage, as well as my good intentions. This is even more evident now: though physically distanced from my church, I feel less alone in the body of Christ than I ever have before.

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The Spaces In Between, in Quarantine

By Beth KephartJune 18, 2020

But quarantining inside two small rooms in a retirement village has more than the intended, necessary consequence. Quarantine is a muffler, it is a black-out shade. It is the space between a daughter and her father. The singular. The plural.

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Epic Quiet Tragedy

By Nausikaä El-MeckyMay 12, 2020

And then I wonder: is this the quiet that dominates the life of all those people in hiding as well? The smallness, the excessive focus on detail, the mind going around in ever smaller circles? Will deeper thoughts and grand narratives only make themselves heard after this is all over?

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Rebooting Myself

By Nancy Naomi CarlsonMay 4, 2020

In these days of world pandemic caused by something that can’t be seen by the naked eye, I’m coming around to seeing this song as one of faith in our interconnectedness, our interconnectivity. The songs and drumming drifting down from balconies to fill the streets in Rome can be heard echoing from rooftops and windows in Barcelona to Budapest, Ankara to Panama, New York City to Gurgaon. We all sing the same song, though in different keys.

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