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Good Letters

Witness and Permission: On Seeing and Being Seen in Life and Art

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This winter has been a difficult season.  I emerge from it wondering about the edges of my griefs and my joys, feeling around for my moorings, realizing in a new way the isolation of the single parent, the reality of mortality for aging and ill family members, the uneven texture of heartbreak, how it feels…

The Best of Rivals

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The following is Jamie Smith’s editorial from Image’s hundredth issue, which mails to subscribers this week. A special extra-thick issue on friendship, rivalry, and collaboration, it features Shane McCrae, A.E. Stallings, Bruce Cockburn, Molly McCully Brown, Padraig O Tuama, Christopher Beha, and many others. If you don’t subscribe, you can still get it as your first…

What Light Do We Miss? An Interview with Melissa Kuipers

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Melissa Kuiper’s short story collection, The Whole Beautiful World, was published in 2017 with Brindle & Glass and reviewed in Image 99 by Samuel Martin. Melissa’s fiction and non-fiction have appeared in The Puritan, Ryga, Joyland, The Rusty Toque and Qwerty. She has an MA in Creative Writing from University of Toronto. In addition to…

Remembering W.S. Merwin: Poet of Disappearance

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On March 15, acclaimed American poet W.S. Merwin died at age 91. Merwin wrote in other genres as well: four prose books, three plays, and twenty volumes of translations of poetry. But it’s for his own poetry that he has long been celebrated. In the 1960s, his poems against the Vietnam War brought him wide…

Jonathan Anderson and the Life of Modern Art

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When I lived in St. Louis, one of the paintings I always looked forward to seeing most at the art museum in Forest Park was Franz Kline’s Bethlehem (1959-60). It looks like a smudged cross on a pale Ash Wednesday forehead. It looks like the steel girders of a suspension bridge. It looks like random…

Always: On the Death (and Resurrection) of a Denomination

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I used to steal away into the sanctuary of Community United Methodist Church when I was a kid—this is fifth, maybe sixth grade—and lay on my back in the cool wooden pews, staring up at the ceiling with nothing short of wonder. (Note: this wasn’t on Sunday morning or Wednesday evening or any other time…

Hovering

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The Thaw at Vetheuil by Claude Monet Loss has laid bare my day. I’m attempting to make room for grief, “enjoy” the free time. I read, try to write, take more walks. I choose a nearby lake to circle.  After a few death spasms– late snows and unseasonably cold days–winter’s finally loosened his grip. Life…

Frames of Mind: Nine Reflections on the Passing of Filmmaker Abbas Kiarostami

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1. We’ve been watching the bird feeder. As the day comes into focus with the bedroom window’s frame, the light catches steam rising from our morning mugs like smoke rising from sacrifices on altars. Anne and I attend, blank journals propped like tents in our laps. We are not alone. Our cats, Mardukas and Zooey,…

Did Jesus Have ADHD?

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This is for Michael Alan Brooks. The first thing, of course, was the birth. Not the virginal aspect of it—if anything, having a mother who was barely a teen, armed with nothing but joyful acquiescence about something truly weird, would at least have served to hamper the tendency to overthink everything that plagues us older…

The Unpleasantries of Embodiment

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Like Rebecca Bratten Weiss (“Shapeshifting Jesus,” February 19, 2019), I was drawn to Katie Kresser’s essay, “Christ the Chimera: The Riddle of the Monster Jesus” (Image 99), with its full-page rendering of the so-called “Alexamenos graffito.” Etched into a Roman wall circa 200 AD, the cartoon mockingly depicts a Christian venerating a donkey-headed figure on a cross. The image has long…

Good Letters

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Richard Chess
Joanna Penn Cooper
Brad Fruhauff
Burke Gerstenschlager
Caroline Langston
Morgan Meis
Jeffrey Overstreet
Christiana Peterson
Peggy Rosenthal
Tania Runyan
Brian Volck

For the humanists of the Renaissance, literature mattered because it was concrete and experiential—it grounded ideas in people’s lives. Their name for this kind of writing was bonae litterae, a phrase we’ve borrowed as the title for our blog. Every week gifted writers offer personal essays that make fresh connections between the world of faith and the world of art. We also publish interviews with artists who inspire and challenge us.

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