Issue 20
$0.00
Editorial statement by Ronald Austin on the secular and religious in film, as well as an essay on violence in film; a short story on orthodoxy and film by Ira Gold; a screenplay adapted from novel “Fluties” by Diane Glancy; snippets of humanity in two poems by Jeanne Murray Walker; and a symposium on films which impact our spirituality in the opinion of Kathleen Norris, Sven Birkets, Edward Asner, and more.
Out of stock
Description
Editorial Statement
Ronald Austin, Screening Mystery
Fiction
Ira Gold, Sacred Cracker
Poetry
Albert Goldbarth, A Living Wholeness
Jeanne Murray Walker, Two Poems
Philip Levine, Three Poems
Mark Jarman, Loop
Interview
A Conversation with Horton Foote
Phil Fehrle and Charles B. Slocum, Movies and Mammon: A Dialogue About the Economics of Filmmaking
Screenplay
Diane Glancy, Silence is a Story: Scenes from “Flutie”
Symposium
Kathleen Norris, Sven Birkerts, Ed Asner, Arthur Hiller, et al.
Essays
Gil Bailie, Cinema and Crisis: The Elusive Quest for Catharsis
Ronald Austin, Sacrificing Images: Violence and the Movies
Michael Morris, O. P., Looking for Reel Religion
John R. May, Close Encounters: Hollywood and Religion After a Century
J.A. Hanson, Spiritual Subversion: The Films of Nicholas St. John
Confessions
Richard Alleva, “I Would Toss Myself Aside”: Confessions of a Catholic Film Critic
Paul Woolf, Turning Toward Home
Additional information
Weight | .75 lbs |
---|---|
Dimensions | 10 × 7 × .5 in |