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Posts Tagged ‘poetry’

Poetry Friday: “Lord, Sky”

By Betsy ShollOctober 12, 2018

The compelling narrative of “Lord, Sky,” set during the time of an election, is also sheer poetry. The writer repeats diction (“light,” “sky,” “moon,” “grin”) and layers language (“heaven,” “rainbow,” “stars,” “night,” “midnight”) to invite us “little trees of heaven / stuck in concrete” to pay heed to the world above and around us, to…

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On Writing Odes: Taking Time to Celebrate

By Tania RunyanOctober 8, 2018

Amidst the constant stream of bad news these days, we would do well to make more time for acknowledging the good things in life. The ode is just that: “a formal, often ceremonious lyric poem that addresses and often celebrates a person, place, thing, or idea,” according to The Poetry Foundation. Unlike other poetic forms…

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Poetry Friday: “The Burned Butterfly”

By Anya SilverOctober 5, 2018

My oldest daughter’s was gifted a butterfly garden for her 3rd birthday. We watched the six larvae plump up. Then each formed a chrysalis and after a few weeks all emerged as beautiful, painted lady butterflies. We fed them watermelon and pineapple and when the day came for release, I wasn’t sure my daughter would…

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A Conversation with Alicia Ostriker: Part 2

By ImageOctober 2, 2018

“When I write a poem, I am crawling into the dark. Or else I am an aperture. Something needs to be put into language, and it chooses me,” says critic, activist, and biblical scholar Alicia Ostriker, whose poetry appears in Image’s recently released issue #98. We asked Ostriker, winner of the Jewish National Book Award…

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A Conversation with Alicia Ostriker: Part 1

By ImageOctober 1, 2018

Image issue #98 includes poems by critic, activist, and biblical scholar Alicia Ostriker, winner of the Jewish National Book Award and many others. She has said, “Composing an essay, a review or a piece of literary criticism, I know more or less what I am doing and what I want to say. When I write…

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A Letter To Stephen Dunn

By Richard ChessAugust 16, 2018

Dear Steve, I’ve had to look away for most of three decades now—away from your work. “Why.” That’s the title of a poem, a poem in your book Here and Now, I read this morning. “Because you can be sure a part of yourself is always missing,” the poem begins. When I read your poems…

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Maya Angelou’s Caged Bird and Me

By Allison Backous TroyAugust 15, 2018

But a plea, that upward to Heaven he flings —Paul Lawrence Dunbar, “Sympathy” I first read Maya Angelou’s I Know Why the Caged Bird Sings when I was thirteen. I discovered the book through an interview with Fiona Apple, one of the many female singer-songwriters whose mournful lyrics poured through my boom box speakers while…

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Sonnets in the Prime of My Life

By Tania RunyanJuly 3, 2018

The sonnet, of course, is the gold standard of form, the first one most people identify. That’s why I decided to wait several months before working on sonnets during my Year of Forms. There’s just so much pressure surrounding The One. I mean, come on: My mistress’ eyes are nothing like the sun; Coral is…

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Yehuda Amichai: My One Poet

By Richard ChessJune 18, 2018

If I could have only one poet, I’d choose Yehuda Amichai. He’s the poet of the city where I came to life in my twenties: Jerusalem is a port city on the shore of eternity…. Jerusalem is the Venice of God.   Jerusalem stone is the only stone that can feel pain. It has a…

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Halted by Haiku

By Tania RunyanMay 8, 2018

The last thing the world needs is another post about “living in the moment,” but I just spent a month failing at haiku and can’t help but speak about what I have seen and heard. I’ve been engaging with form this year, so far writing a whole slew of sestinas, villanelles, and most recently, haiku—by…

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