More on: Culture

One of the habits I have developed without meaning to, without wanting to, is this: I routinely lower the volume on my heart.

In making nettle cloth, Brown joins fiber makers across history, including his own ancestors.

My belief: that the words are in the world, and that we are consubstantial with the world, that we are immanent along with it, the words become our world.

Grace leaves us wordless. This commonality, though, is what makes the genre of testimony so compelling.

My own faith is inextricable from the landscape in which I was taught to believe.

Though Moreland does not subscribe to any traditional faith system, his music is suffused with Christian imagery and with a palpable, unorthodox longing for transcendence.

These recent books of psalms by Diane Glancy and Julia Fiedorczuk remind us that voices put us in the generative space of the shared, the relational; they engage us in a place of self and other, self and world, self and self.

Clarice Lispector. The Complete Stories. Translated by Katrina Dodson. Edited by Benjamin Moser. New Directions, 2015. Kevin McIlvoy. Is It So? Glimpses, Glyphs, and Found Novels. WTAW Press, 2023. Alva Noë. Strange Tools: Art and Human Nature. Hill and Wang, 2015.   HOW TO BEAR HAPPINESS?” That’s the question a character identified only as “Number…

Sham is subtractive, but I, a being, am aggregate. Creation is aggregate. Human creativity is, in its deepest dynamics, aggregate and productive. Let us ornament ourselves, yes, but not toward the end of erasure. Let our adornments extend our penumbrae, our enveloping souls, into the ether that melts into heaven, stacking glory upon glory as cell and organ, skin and fur, aura and crown, radiate the Life that animates all.