Who Are the People in Your Neighborhood?
By Essay Issue 97
WE WATCHED DAVID make his way slowly down the middle of the street, dragging his right leg, his right arm limp at his side. With his left hand, he reached forward with his cane and lurched after it. A plastic grocery bag hung from his left wrist. Step and drag, forward and pause, all effort…
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Beauty in Brokenness:
The Sculpture of Claire Curneen
By Essay Issue 97
CLAIRE CURNEEN STARTS EACH of her sculptural ceramic works in the same way, with a small piece of clay. Squeezing it between her fingers, pushing and pressing it into the palm of her hand, she flattens it into a small disc. These discs are the building blocks of her figures. By pressing and squeezing them…
Read MoreThe Redemption of Hester Prynne
By Essay Issue 96
BECAUSE IT HAS BEEN A STAPLE of the high school classroom, it is nearly impossible to approach The Scarlet Letter with the sort of wonder and respect it deserves. Somber and at times melodramatic, The Scarlet Letter is an altogether quieter book than, say, Moby Dick, which can make it feel tame by comparison. But…
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Take My Hand, Precious Lord:
A Short Treatise on Slowing Down
By Essay Issue 96
ON THE MORNING OF AUGUST 20, 2016, I felt a subtle pinch in my upper torso, right side. My wife and I were at our remote cabin in Washington County, Maine, where, among other things, despite my seventy-three years, I’d been training for a local twelve-mile paddle race. I felt fitter than I had in…
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Immortal, Invisible, God Only Wise:
The Beautiful Unordinary
By Essay Issue 96
AS A CHILD growing up on the island of Jamaica, it seemed to me that people, especially women, were always singing hymns as they went about their business. Women bending low over washtubs, or standing knee deep in swift-running rivers, would produce scrub rhythms from the friction of soaped cloth rubbed hard between fists, and…
Read MoreAmazing Grace: Singer and Song
By Essay Issue 96
There is another world, but it is within this one. —Paul Éluard I LIKE TO SING. Singing, like poetry, enables us to enter experiences other than our own. I sing lively Elizabethan songs by Thomas Campion, melancholy ones by John Dowland, gems from Shakespeare’s plays, “Greensleeves,” and the medieval “Cherry Tree Carol” in which…
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Laudes Creaturarum:
A Polyphony
By Essay Issue 96
IN ASSISI, THE SKY vaults clouded and serene against the foothills. * Pietro, known as Francesco, devoted brother of his order, put quill to thirteenth-century parchment and began to praise. His inspiration was Psalm 148, whose Hebrew exhortations spur the sun and moon, the stars and highest heavens, tempests and mountains and wingèd birds…
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O Come, O Come, Emmanuel:
Dark Good News
By Essay Issue 96
I LOVED THEM ALL, the hymns we sang in our red brick Methodist church on Christmas Eve. There was always snow, it never failed us, and the streetlamps cast lovely pools of light and shadow on the shoveled walks. We called it midnight service, though it actually began an hour earlier; we would have eaten…
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Caedmon’s Hymn:
The First English Poet
By Essay Issue 96
ENGLISH POETRY BEGAN with a vision. It started with the holy trance of a seventh-century figure called Caedmon, an illiterate herdsman, who now stands at the top of the English literary tradition as the initial Anglo-Saxon or Old English poet of record, the first to compose Christian poetry in his own language. The story goes…
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Takbeerat al-Eid:
The Speakers of Tripoli
By Essay Issue 96
WHENEVER I THINK of takbeerat al-Eid, I remember the curtains of my childhood bedroom—how Mom surprised me one afternoon, saying she had bought me new pink (pink!) curtains. I loved their color and sheer fabric. I could see the glass balcony door behind them, and behind that, the green wooden shutters. When the shutters were…
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