The Patron Saint of Losers
By Essay Issue 90
ONE OF THE STRANGER CONVERSATIONS I’ve ever had took place during my senior year of college. I was attending a conference, and during one of the coffee breaks I was talking with a scholar who had taken a shine to me. He asked if I was considering doing a PhD, and if so, in what…
Read MorePerfume Poured Out
By Essay Issue 89
One of the real tests of writers is how well they write about smells. If they can’t describe the scent of sanctity in a church, can you trust them to describe the suburbs of the heart? _____________________________________ ___________ —Diane Ackerman For your love is more delightful than wine. Pleasing is the fragrance of your perfumes;…
Read MoreRadiant Power: Authority and Violence in New Egyptian Fiction
By Essay Issue 89
The Televangelist by Ibrahim Essa, translated by Jonathan Wright (American University in Cairo Press, 2016) The Queue by Basma Abdel Aziz, translated by Elisabeth Jaquette (Melville House, 2016) “The Boy Jihadi” by Youssef Rakha (Guernica, 2015) IN THE EARLY HOURS of January 1, 2011, a bomb was set off among New Year’s Eve worshippers…
Read MoreDaring to Do the Good: The Knight and the Theologian
By Essay Issue 89
WRITING FROM HIS SMALL CELL in a German prison, the theologian Dietrich Bonhoeffer advised his family and friends to read the lengthy novel Witiko by Adalbert Stifter—the book that gave him great comfort from the time of his arrest in 1943 until his execution in 1945 for his involvement in the plot to kill Hitler.…
Read MoreSystem and Chaos: The Art of Linnéa Spransy
By Essay Issue 89
I am interested in limits, specifically, in their ability to generate surprise, even freedom. —Linnéa Spransy The mind that is not baffled is not employed. The impeded stream is the one that sings. —Wendell Berry THE CANVASAS IN LINNÉA SPRANSY’S studio explode with images rich and strange: ribbons and lobes reproducing like bacteria in…
Read MoreThe Mosque Outside the Mosque: Aerosol Arabic and the One Experience
By Essay Issue 89
The Performance MOHAMMED ALI, a.k.a. Aerosol Arabic, emerges from the darkness onto center stage for his 2014 TED talk at the Vatican (available for streaming at aerosolarabic.com). A burly man, he moves gracefully. He apologizes for the way he’s dressed—not in the snappy outfit of a celebrity lecturer, but in jeans, sneakers, open shirt, and…
Read MoreSome Questions about Politics and the Imagination
By Essay Issue 89
Q WOULD YOU MIND if I asked you some questions about the current political situation, given the upcoming presidential election and turmoil in Europe? A. I do mind, as a matter of fact. I have nothing to say about such matters. They’re far too complex. Not to mention depressing. And crazy-making. Besides, I left politics behind…
Read MoreA Painter’s Thoughts on the State of Painting
By Essay Issue 60
Painters Frame Contemporary Painting Painting has died and been resurrected several times in recent decades. Challenged by theory-laden conversations about art’s “post-medium” condition and a welter of deconstructionist propositions, painting seems nevertheless to have thrived in the face of adversity. Some would say it remains as manifold and imaginative as ever. In order to take…
Read MoreSomething Happens
By Essay Issue 60
Painters Frame Contemporary Painting Painting has died and been resurrected several times in recent decades. Challenged by theory-laden conversations about art’s “post-medium” condition and a welter of deconstructionist propositions, painting seems nevertheless to have thrived in the face of adversity. Some would say it remains as manifold and imaginative as ever. In order to take…
Read MoreThe Problems of Painting
By Essay Issue 60
Painters Frame Contemporary Painting Painting has died and been resurrected several times in recent decades. Challenged by theory-laden conversations about art’s “post-medium” condition and a welter of deconstructionist propositions, painting seems nevertheless to have thrived in the face of adversity. Some would say it remains as manifold and imaginative as ever. In order to take…
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