More on: Essays

Why Believe in God? Over the past few years, the Image staff contemplated assembling a symposium based on this simple problem. But we hesitated. Should we pose such a disarmingly straightforward question to artists and writers, who tend to shun the explicit and the rational? Or were we hesitating because the question itself made us…

The following is adapted from the commencement address given to the first graduating class of the Seattle Pacific University Master of Fine Arts degree in creative writing. The ceremony was held on August 4, 2007, as part of the MFA residency that is held concurrently with Image’s Glen Workshop in Santa Fe, New Mexico.  …

WE ARE ROCKETING through the steppes into the eye of the setting sun. To the east of us, the great thrusting shoulders of the Tian Shan, or “Celestial Mountains,” are burnished with the deep rose gold you see on icons from the Sinai or tanka paintings from Nepal. According to local lore, deep within the…

A version of this essay was delivered at Boston University on November 1, 2007, at a lecture sponsored by the Luce Program in Scripture and Literary Arts in memory and honor of Amos Niven Wilder. THE LANGUAGE OF THE NEW TESTAMENT has been with me since childhood. The words of Jesus, specifically, are so familiar…

THE PHERICHE CLINIC clings to a windswept, rocky plateau two day’s hike below Everest Base Camp. Dwarfed by the majestic Himalayan peaks that surround it, this collection of low stone buildings is the highest medical clinic in the world, offering climbers and those who live there the care and expert treatment that are essential in…

RICHARD SERRA’S Torqued Ellipse I and Torqued Ellipse II (1996-97), now permanently installed at Dia:Beacon, remind me of Simone Weil’s axiom that “All the natural movements of the soul are controlled by the laws analogous to those of physical gravity. Grace is the only exception” [see Plate 1]. These lines, from the opening of her book…

Bliss was it in that dawn to be alive, But to be young was very heaven! ——————William Wordsworth WITHIN JUST A FEW WEEKS, America recently lost two of its finest sons—William F. Buckley Jr. and E. Victor Milione. One was known to millions, while the other preferred obscurity, but both were seminal figures in the…

I RECALL THE FACE OF A BOY wearing a blue sweatshirt, and I want to tell him that I’ve fallen in love and that I saw a fox midday like a flare, that I saw a black bear in the laurel just this evening and that the roar of life is in me. And I…

A longer version of this essay appears as the introduction to God in the Gallery: A Christian Approach to Modern Art, forthcoming this fall from Baker Academic, a division of Baker Publishing Group, copyright 2008.    For my wife, Kerri, and children, Daniel, Morgan, and Jacob WE THINK WE KNOW what art is. And that…

The monastic men and women of the fourth century went into the desert for the specific purpose of combating their demons. When I moved to South Dakota with my husband, I had no such design. I wanted a quiet place to write and to nurture our relationship. But by planting myself firmly in a marriage, in my grandparents’ house in a part of the world considered by most to be a desert, I had done something untoward, and more radical than I knew. In a place with few distractions, where it is possible to go to monasteries for excitement, I had taken on the burden of time.