Four Corners: Painters Frame Contemporary Painting
By Essay Issue 60
Painting has died and been resurrected several times in recent decades. Challenged by theory-laden conversations about art’s “post-medium” condition and a welter of deconstructionist propositions, painting seems nevertheless to have thrived in the face of adversity. Some would say it remains as manifold and imaginative as ever. In order to take its pulse, Image asked…
Read MoreGod’s Truth Is Life
By Essay Issue 60
WHEN I WAS TWENTY years old I spent an afternoon with Howard Nemerov. He was the first “famous” poet I had ever met, though I would later learn that he was deeply embittered by what he perceived to be a lack of respect from critics and other poets. (I once heard Thom Gunn call him…
Read MoreDesire and Longing: Image Artists after Twenty Years
By Essay Issue 60
GREG WOLFE, Image founder, editor, publisher—and as I occasionally like to tease, indefatigable empire builder—has written many provocative essays. One of my favorites is “The Christian Writer in a Fragmented Culture,” which appeared in issue 7 in 1994. In the beginning of the essay, Greg muses on the dilemma of publishing a journal highlighting the intersection of…
Read MoreFeature: Fully Human
By Essay Issue 60
Art and the Religious Sense To say that someone is “only human” is to say two things at once. We mean that person is flawed—and that this condition is no more than we should expect. Yet for all our awareness of human frailty and venality, we are haunted by visions of human flourishing, fullness rather…
Read MoreUnapologetic Visibility
By Essay Issue 59
WHAT IS GOD LIKE? It’s safer to say what he’s not. After all, if someone succeeded in writing a novel in French without using the letter e, it must be possible to write a theological treatise without adjectives. Whereof we cannot speak, thereof we must do something anyway. But do what? Point with our fingers?…
Read MoreActive Sight: Vija Celmins and Jackson Pollock from Pictorialism to Perception
By Essay Issue 59
ON MAY 16 of this year, Night Sky #2 by Vija Celmins, on view at the 2008 Carnegie International at Pittsburgh’s Carnegie Museum of Art, was vandalized by one of the museum’s own security guards, who used a key to cut a gouge down the painting’s middle, damaging it beyond repair. While this act was…
Read MoreBorn, Again and Again
By Essay Issue 59
I GREW UP NEAR A SMALL RIVER in southwest Missouri, really a large creek, an easily navigable waterway with a calm current, deep in places, in others flowing with low white ruffles over rocky shoals. I went to this river often, as if to a favorite relative, to see what was happening, wading and swimming…
Read MoreFully Human
By Essay Issue 60
LAST NIGHT I watched—mesmerized, despite its near three-hour length—Andrei Tarkovsky’s film Stalker, a minimalist science fiction epic set in a dreary, bombed-out industrial wasteland. The title does not derive from the contemporary connotation of sexual predator, but goes back to the sort of guide who leads hunters to where game can be found. In fact,…
Read MoreGiotto’s Ratio
By Essay Issue 59
The following remarks were given at Villa Agape in Florence, Italy, on the opening evening of Image’s Florence Seminar, September 14, 2008. IMAGE is a journal devoted exclusively to contemporary literature and art—to the present moment—but here we are in the cradle of the Renaissance. We have not come out of mere antiquarian curiosity,…
Read MoreWho Is My Mother, Who Are My Brothers?
By Essay Issue 61
This essay will appear in Jesus Girls: True Tales of Growing Up Female and Evangelical, an anthology from Cascade Books, edited by Hannah Faith Notess. ON THE DAY of my baptism, my father stood at the back of the church—hung-over, or quite possibly drunk even at that early hour—and shouted, “Hooray for Sara!” as…
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