A Gyroscope on the Island of Love
By Essay Issue 70
I’D BEEN MEANING to call him for days and hadn’t, but that afternoon something made me search for a phone. The same something, maybe, that had led me to Robert Lax in the first place fifteen years before. My wife and I were walking through a small Turkish town where all I could find was a…
Read MoreA Nonbeliever Pictures the Bible
By Essay Issue 70
SOME YEARS AGO Charlottesville, Virginia, was abuzz with the news that a wealthy Roman Catholic couple on an estate near town had built a private chapel for worship and had commissioned a painting of themselves in the presence of a resurrected Jesus Christ. My wife was amazed; what effrontery! I defended the couple, pointing out…
Read MoreA Trip to Welty’s South of South
By Essay Issue 71
OUTSIDE A FINE New Orleans restaurant in the early fifties, a married man asks an unattached woman, “Have you ever driven south of here?” and she says, “South of here, I didn’t know there was any south of here. Does it just go on and on?” Then, without agreeing upon their intentions, the two take off—for…
Read MoreThe Mark of Cain
By Essay Issue 70
Figure and Landscape in the Work of Enrique Martínez Celaya “Today you are driving me from the land, and I will be hidden from your presence; I will be a restless wanderer on the earth….” Then the Lord put a mark on Cain so that no one who found him would kill him. —Genesis…
Read MoreA Bookwright’s Tale
By Essay Issue 71
MY BROTHER SAID that I was a lazy dreamer when I was a kid. In a letter he wrote to me shortly before he died he said that all I did was sit around drawing pictures and reading books while he cut the grass, cleaned out the gutters, and painted the trim on the house. Well,…
Read MoreThe Operation of Grace
By Essay Issue 70
The following is adapted from a commencement address given for the Seattle Pacific University master of fine arts in creative writing on August 6, 2011. I’D LIKE TO SHARE a few thoughts with you that I hope are appropriate for the occasion, words derived from two texts we’ve studied together, T.S. Eliot’s Four Quartets…
Read MoreOur Last Suppers
By Essay Issue 73
I’VE NEVER GIVEN myself an enema in front of anyone,” Christy says. We have arrived at a new stage in our friendship. And technically she’s not giving herself an enema in front of me. She readies what looks like a baster for a small turkey, and then I sit in the anteroom, next to the…
Read MoreArt from the Inside
By Essay Issue 71
Chuck Colson I ARRIVE IN TORONTO during gay pride week. The lampposts lining the city streets fly rainbow flags. Inside the Sheraton are still more rainbows, small ones on sticks stuck into the mulched flowerbeds surrounding the ten-foot waterfall cascading into a pool edged with flagstones. Every time I see one, I can’t help wondering…
Read MoreVarieties of Quiet
By Essay Issue 73
I HAVE TRIED to learn the language of Christianity but often feel that I have made no progress at all. I don’t mean that Christianity doesn’t seem to “work” for me, as if its veracity were measured by its specific utility in my own life. I understand that my understanding must be forged and reformed within…
Read MoreA Spade is Not a Spade: The Art of Fabian Debora and the Mystery of Los Angeles
By Essay Issue 71
THE SPADE, ACCORDING to artist and former East Los Angeles gang member Fabian “Spade” Debora, is the craftiest card in the deck, the card that “takes all. The spade is a subtle and powerful symbol.” From that childhood insight, gleaned growing up in one of Los Angeles’s most violent public housing projects, came the graffiti…
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