More on: creating art

IN THE MID-1980s, just shy of my fortieth birthday, I found myself out of work and divorced. It was a crash landing of all my aspirations, and crawling from the wreckage of two traumas, I was grieved, confused, desperate—cut off from the world I thought I understood. In the fragile years that followed, I tried…

Neighbors, Strangers,  Family, Friends Four Artists Reflect on Charis The traveling art exhibition Charis—Boundary Crossings: Neighbors Strangers Family Friends features work by seven Asian and seven North American artists. The show grew out of a two-week seminar in Indonesia sponsored by Calvin College’s Nagel Institute for the Study of World Christianity and the Council for…

We played the flute for you and you did not dance…. ——————————————–—Matthew 11:17 IN HIS INTRODUCTION to a collection of medieval Welsh tales, the late John Updike describes his reaction: we feel in reading these stories, he says, “as if we are dancing with a partner who hears a distinctly different music.” The Charis exhibit—an…

In 1907, at forty-three years of age, Miguel de Unamuno y Jugo published his first book of poetry, titled simply Poesías (Poems). Already well known in Spain as a prominent intellectual and the rector of the University of Salamanca, by this time Unamuno had produced novels, essays, and works of philosophy. Yet in the verse…

Kathy Hettinga has received many awards and honors for her artwork, including an Indiana Arts Fellowship, a Research Fellowship at The Institute of Sacred Music, Worship, and the Arts at Yale University, and the very first Scholar Chair from Messiah University. Her work is in the permanent collections of UCLA, the Armand Hammer Museum, the…

IT STARTED with a phone call. “Sweet D, I’m coming to California. I want to interview you for my new book.” Nobody ever called me “Sweet” except my Davidson College roommate, John Marks. Evidently he was on the prowl, in search of his next story. I was intrigued. “Why me?” I asked him. “Because you…

Gregory Orr is the author of ten books of poetry, most recently Concerning the Book that Is the Body of the Beloved and How Beautiful the Beloved (both from Copper Canyon). Long known for his condensed and crafted style, in his recent work, Orr demonstrates a shift toward the personal lyric at its most stripped-down,…

MRS. WALLER WAS seventy-one years old and she kept her invalid husband in cigarettes and beer by posing for the figure-drawing class at the academy. Her first name was Inez, but neither the instructor nor the students ever called her anything but Mrs. Waller. Darrell Horn, honorably discharged from Uncle Sam’s navy, had no idea…

ON MONDAY AFTERNOON, Ray Martin ran into a crowd at an early season indoor track meet, hundreds of kids in a dozen colorful uniforms lounging all over, if they weren’t high-stepping in some warm-up ritual dance or actually lining up for a sprint. Everywhere you looked there were perfectly formed bodies, as if there’d been…

Already, like a disciplined scholar, I piece fragments together, past conjecture, Establishing true sequences of pain; For so it is proper to find value In a bleak skill, as in the thing restored: The long-lost words of choice and valediction. ————————————-— Geoffrey Hill, “The Songbook of Sebastian Arrurruz, I” Oxford University has a new Professor…