Curator’s Corner
By Visual Art Issue 114
“Minority faiths in Britain have always started their architectural journey by adapting existing buildings and creating their religious spaces in improvised and ad hoc ways.
Read MoreIn the Studio
By Visual Art Issue 114
After the George Floyd murder and protests, painter Askia Bilal began a series called Non-Portraits, exploring his experience of Blackness.
Read MoreA Spider, an Arab, and a Muslim Walk into a Cave
By Essay Issue 106
In Ibn Arabi, a totality of faiths were convened. His heart contained within it pastures for deer, monasteries for monks, a temple for idols, a Kaaba around which to parade, tablets for a Torah, and a Quran, as he said in one of his famous verses: “I follow the religion of love wherever its caravans go.”
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Takbeerat al-Eid:
The Speakers of Tripoli
By Essay Issue 96
WHENEVER I THINK of takbeerat al-Eid, I remember the curtains of my childhood bedroom—how Mom surprised me one afternoon, saying she had bought me new pink (pink!) curtains. I loved their color and sheer fabric. I could see the glass balcony door behind them, and behind that, the green wooden shutters. When the shutters were…
Read MoreThe Mosque Outside the Mosque: Aerosol Arabic and the One Experience
By Essay Issue 89
The Performance MOHAMMED ALI, a.k.a. Aerosol Arabic, emerges from the darkness onto center stage for his 2014 TED talk at the Vatican (available for streaming at aerosolarabic.com). A burly man, he moves gracefully. He apologizes for the way he’s dressed—not in the snappy outfit of a celebrity lecturer, but in jeans, sneakers, open shirt, and…
Read MoreEast and West in Miniature
By Essay Issue 53
The recent controversy over Pope Benedict XVI’s Regensburg lecture—which touched on the nature of human reason, but which also questioned, in passing, the relationship between faith and reason in Islam—may turn out to be more productive than was at first thought. Among other things, it generated a substantive open letter to the pope signed by…
Read MoreMosque
By Poetry Issue 61
Past sundown you bring me here, my first time inside a mosque. Men sitting cross-legged on the floor beside their teacher briefly look up at us, then turn back, on fire to hear the word. You ramble on in praise of Muslim art, exquisite painted tiles, floral carvings in teak, your speech articulate as a…
Read MoreLet’s (Try To) Harmonize
By Essay Issue 65
Neighbors, Strangers, Family, Friends Four Artists Reflect on Charis The traveling art exhibition Charis—Boundary Crossings: Neighbors Strangers Family Friends features work by seven Asian and seven North American artists. The show grew out of a two-week seminar in Indonesia sponsored by Calvin College’s Nagel Institute for the Study of World Christianity and the Council for…
Read MoreA Cinema of Solidarity: Women, Film, and Islam
By Essay Issue 69
IN MAY 2001 I found myself at the Cannes Film Festival on a six-member ecumenical jury. Every year the festival hosts other accredited juries besides the star-studded official one, and since 1974 an ecumenical jury made up of Catholics and Protestants has given awards to films in Cannes’s competitive selection. Dutifully we attended all the…
Read MoreA Conversation with Gina Ochsner
By Interview Issue 72
Gina Ochsner is the author of the short story collections The Necessary Grace to Fall (Georgia) and People I Wanted to Be (Mariner), as well as a novel, The Russian Dreambook of Color and Flight (Portobello/Houghton-Mifflin-Harcourt). Her awards include the Flannery O’Connor Award, Oregon Book Award, Pacific Northwest Booksellers Award, and fellowships from the National…
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