The Harboring Silence
By Essay Issue 86
The following is adapted from a commencement address given at the Seattle Pacific University MFA in creative writing graduation in Santa Fe on August 8, 2015. The great poet does not completely fill out the space of his theme with his words. He leaves a space clear, into which another and higher poet can speak.…
Read MoreLanguage as Sacrament in the New Testament
By Essay Issue 57
A version of this essay was delivered at Boston University on November 1, 2007, at a lecture sponsored by the Luce Program in Scripture and Literary Arts in memory and honor of Amos Niven Wilder. THE LANGUAGE OF THE NEW TESTAMENT has been with me since childhood. The words of Jesus, specifically, are so familiar…
Read MoreSt. John
By Short Story Issue 62
MY OLDER SISTER calls to tell me about him. She is upset. Not upset, but worried. She said she saw him—a guy she went to high school with, in line at the grocery store. This was in the town in which we grew up; she moved back and I moved far away, didn’t have any intention…
Read MoreThe Cathedral of Barcelona
By Poetry Issue 65
In 1907, at forty-three years of age, Miguel de Unamuno y Jugo published his first book of poetry, titled simply Poesías (Poems). Already well known in Spain as a prominent intellectual and the rector of the University of Salamanca, by this time Unamuno had produced novels, essays, and works of philosophy. Yet in the verse…
Read MoreCorona de Espinas
By Essay Issue 73
Migrant Farm Workers, a Medieval Mystery Play, and the Future of Religious Art in America ON A CLEAR, COLD DECEMBER evening a few weeks before last Christmas I sat in a 215-year-old adobe church and listened to the devil preach the gospel. The devil, or Luzbel as he was named in the play I…
Read MoreDomestica
By Poetry Issue 71
Luc Olivier Merson, 1897 When the deer appeared in the yard, I was slicing tomatoes for dinner, the knife ringing the plate with each slice, but the deer hear everything, so I stopped. The husband saw them too. It’s the end of summer, he said to me, in my head. We saw the female deer…
Read MoreMystery
By Essay Issue 75
The Word-Soaked World Troubling the Lexicon of Art and Faith Since 1989, Image has hosted a conversation at the nexus of art and faith among writers and artists in all forms. As the conversation has evolved, certain words have cropped up again and again: Beauty. Mystery. Presence. For this issue, we invited a handful of…
Read MoreYam Kinneret: The Harp Music
By Poetry Issue 76
It is March; in Ireland daffodils will be suffering the harshest winds; here the coach had turned back from the slopes of the Beatitudes towards Tiberias; to the right the valleys, green and flush, rising to the hills; to the left, the lake, quietened in an evening lull and pleasuring; I settled in my seat,…
Read MoreWays of the Cranes
By Essay Issue 79
WHEN THE RED SUN is sinking behind the mist in the evening, the sandhill cranes begin to arrive. Long-legged, wings open wide, they come first sparely, two watchers, then in scatterings and finally in great numbers, lines of them crossing the sky to land before us hidden humans. The great birds fly across the mist,…
Read MoreForward into the Dark
By Essay Issue 80
Forward into the Dark: Twenty-Five Years of Ambition IN “THE IRRATIONAL ELEMENT IN POETRY,” Wallace Stevens explains that the unknown “excites the ardor of scholars, who, in the known alone, would shrivel up with boredom…. [W]e may resent the consideration of [the unknown] by any except the most lucid minds; but when so considered,…
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