More on: Ron Austin

In the conversation around faith and film, Ron Austin is an elder statesman. He has worked a lifetime in the entertainment industry, and his essays and books, including In a New Light: Spirituality and Media Arts, have influenced generations of filmmakers (much of his writing is also on his website). His seminal essay “The Spiritual…

An Introduction by Guest Editor Scott Teems The first issue of Image I read was Issue 31, in the summer of 2001; it was the first in a subscription gifted me by the Act One screenwriting program in Los Angeles, which I had just completed. Initially, I was intimidated by the journal’s focus on fine…

FOR nearly a generation in Hollywood, a gulf has existed between the secular and religious perspectives. It is a rift that appeared in the sixties for many reasons, not least as an expression of a cultural rebellion which was arguably both liberating and destructive. But one result was the lamentable loss on screen of an…

Art and the Religious Sense To say that someone is “only human” is to say two things at once. We mean that person is flawed—and that this condition is no more than we should expect. Yet for all our awareness of human frailty and venality, we are haunted by visions of human flourishing, fullness rather…

A HALF CENTURY AGO I was standing in a skid row bar wondering what role I was playing. The bar was called, almost mockingly, the Ritz, and we were making a film, but the role I pondered wasn’t an acting part, and it was more than a question of what function I had at the moment.…

The Road Behind Us Image’s Founding Generation When Image was founded in 1989, the cultural landscape looked different than it does today. Religious writers and artists felt cold-shouldered in the public square and often ill at ease within the church. The need for a journal that demonstrated the continuing vitality of contemporary art informed by…