More on: Sydney Lea

We remember how we’d drink with him, and more / than half our gang are dead as he is now.

He feels such an urge to make things mean, / including his mood. He’s had that longing, / drunk or sober, all his life.

Why Believe in God? Over the past few years, the Image staff contemplated assembling a symposium based on this simple problem. But we hesitated. Should we pose such a disarmingly straightforward question to artists and writers, who tend to shun the explicit and the rational? Or were we hesitating because the question itself made us…

He’s Isaiah sometimes, sometimes Elijah, or even the Son of Man, though no one on earth would ever see a prophet—much less a divinity— in Willie, back on probation, rumpled and stinking. His lank hair’s dyed a color not found in nature. His lips clamp a roll-your-own smoke gone cold. I’m a coward. I play…

“I didn’t get in trouble whenever I drank, but whenever I got in trouble I was drinking,” says Wayne. We’re sitting together with ten inmates in folding chairs. I like Wayne, I like his thinking, I even like his God and his prayers. The herd of Morgan horses in his pasture comes alive with light…

Sydney Lea is poet laureate of Vermont. His tenth collection of poems is I Was Thinking of Beauty (2013). Recently published are his collaboration with Fleda Brown, Growing Old in Poetry: Two Poets, Two Lives (2013), and A North Country Life: Tales of Woodsmen, Waters and Wildlife (2013). Other recent publications include Six Sundays toward a…