More on: trees

days like my lost eyelashes, 
just dry leaves curled there and here,  

1. When my unemployed faith reappeared as boredom, it seemed a diplomatic triumph. But just about then animals began to intercept me in my wanderings. I grew more and more susceptible to their solicitations. Trees are probably fearless, but the forest should have known better than to show off like that. We had long known…

Now light fills the tree outside our window— tree whose fruit, when it comes, only the birds, and just a few of them, want to eat, tree that turns stiff and dry midsummer, rushing the season, so we fear the city will come and butcher it, though so far it’s been spared because in spring…

This November, the pears are as hard as wood but taste like the honeysuckle I used to pick from the chain-link fence in the alley, nipping the end and drawing the stamen out, slowly, until that one sweet drop beaded at the bottom—one of the houses is wild with honeysuckle. When I came to You…

I was stopped on the sidewalk by pears glowing on their tree like antique ornaments with flaking paint, a green metallic shimmer, hinting at yellow, mottled with a few flecks of red. As light flickered over them, they seemed to flutter like candles in the leaves. But no—they were pears, and probably hard, I told…

Implicitry \im-‘pli-sət-trē\ noun L. 1. the study of the implied lives of trees. 2. the connection, at cellular or unnamed levels, between vegetable and animal entities. 3. involved in the nature of nature. 4. archaic: entwined with trees.   THE PHONE RINGS. An unfamiliar Florida area code; it could be an alligator or a mouse…

He blew harmonica and he was pretty good with that, but he wanted to play guitar.                             —Son House on Robert Johnson   In November, it’s hard to know a cherry tree is a cherry tree. If it has any leaves left, they’re raw as rust. The sound the wind makes hustling through them’s a…

Some of the things I was not doing at the age of twenty-two: learning the Latin names of flowers (or even their English ones) living abroad recording music with the intensity & abandon you hear on every single cut of At Last! on which Riley Hampton’s orchestra’s a tame & obliging brook under storm-spew’d sheets…

In the past, I have asked for what this may be,             more faithfully perhaps, haven’t I, for some covenant of intimate favor             waiting along a byway? So how then should it be seen, what begins as just             a blue, late morning crease between heavy rains, noticing the usual roadside toll             of…