Putting Out into the Deep from Gloucester
By Poetry Issue 73
The sea wind whispers and the tall oaks shake, their leaves shimmering in the August noon. And now the dry grass wrinkles and the floorboards flame. Saffron motes, a distant bird cry, this brackish sea. What was it you figured the wind might say? The oaks sway gently this way and that. Like young girls…
Read MoreTopographies of Easter
By Poetry Issue 73
We are walking in the mild midwinter Snow and thin ice, up Coldwater Creek, Its many tributaries, their steep ravines Tracing the blue and brown lines that wind Dizzily over the unfolded whiteness of our new Map like staves for the crazy earth song we’ve been Sight-reading with our feet; we are singing the impossible…
Read MoreAnd Yet another Page and Yet
By Poetry Issue 77
1. One’s waking of itself obtains _____a rising and—one might say—a dazed, __________surprising glee at having met within sleep’s netherworld one’s own _____dim shadowed psyche, and survived. One’s walking soon thereafter well _____into the morning’s modest glare __________proves—if all goes swimmingly—yet further evidence of being _____obliquely well attended, proves discreetly provident of one’s _____invisible surround…
Read MoreBetween Prayer
By Poetry Issue 84
Do not make me one of the trees bowing in soft wind, not the heavy branches at sway or the murmuring leaves. But let me be a molecule of water flowing in the veins, the inner blood pressured through the rings. Nothing so grand as ocean waves crumbling on a beach, or the river running…
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