Skip to content

Log Out



(from Hopkins’s journal of a vacation
on the Isle of Man, August 1872)

So much need in that “Again.” To see it
in good weather. To look down again
from the cliffs at the high water of a full tide.
To hold the kaleidoscope of the waves
to his eye and watch them churn and tumble
and change. To behold. To praise. To see
God’s work but also to answer the hunger
in him for words that can say what it is
he feels when he looks over the cliffs at the sea’s
exuberance. To be made into an instrument
that can catch God’s breath in a breathless
run of words. So he is here. Again,

scribbling this place into his notebook,
the steady pulse of a wave—“First, say, it is
an install of green marble knotted with
ragged white.” He knows nothing is missing
from this scene, nothing needs to be added,
the wind running loose, the sea seething,
but he senses the struggle between
losing the delight and abundance that is here
and the fear that his words turn
the world into himself. The wave is already

a “field of white lather” now,
its “richly clustered and crisped comb”
breaking, his words (such pleasure
and punishment in them!) like the sounds
of the wave going away, the moment
of the wave’s green turning cerulean
already a memory, an absence, the field
of white lather already dissipating into
(it seems as if he must alliterate now, words
like the ravenous open beaks of baby birds)
“threads and thrums twitching down
the backdraught to the sea again.”

Image depends on its subscribers and supporters. Join the conversation and make a contribution today.

+ Click here to make a donation.

+ Click here to subscribe to Image.

The Image archive is supported in part by an award from the National Endowment for the Arts.

Receive ImageUpdate, our free weekly newsletter featuring the best from Image and the world of arts & faith

* indicates required