Only What You Do For Christ Will Last: A Conversation with Tim Rollins
By Interview Issue 60
Painters Frame Contemporary Painting Painting has died and been resurrected several times in recent decades. Challenged by theory-laden conversations about art’s “post-medium” condition and a welter of deconstructionist propositions, painting seems nevertheless to have thrived in the face of adversity. Some would say it remains as manifold and imaginative as ever. In order to take…
Read MoreA Painter’s Thoughts on the State of Painting
By Essay Issue 60
Painters Frame Contemporary Painting Painting has died and been resurrected several times in recent decades. Challenged by theory-laden conversations about art’s “post-medium” condition and a welter of deconstructionist propositions, painting seems nevertheless to have thrived in the face of adversity. Some would say it remains as manifold and imaginative as ever. In order to take…
Read MoreSomething Happens
By Essay Issue 60
Painters Frame Contemporary Painting Painting has died and been resurrected several times in recent decades. Challenged by theory-laden conversations about art’s “post-medium” condition and a welter of deconstructionist propositions, painting seems nevertheless to have thrived in the face of adversity. Some would say it remains as manifold and imaginative as ever. In order to take…
Read MoreThe Problems of Painting
By Essay Issue 60
Painters Frame Contemporary Painting Painting has died and been resurrected several times in recent decades. Challenged by theory-laden conversations about art’s “post-medium” condition and a welter of deconstructionist propositions, painting seems nevertheless to have thrived in the face of adversity. Some would say it remains as manifold and imaginative as ever. In order to take…
Read MoreWar Metaphysics for a Sudanese Girl
By Poetry Issue 61
For Aciek Arok Deng I leave the camp, unable to breathe, me Freud girl, after her interior, she Lost Girl, after my purse, her face: dark as eggplant, her gaze: unpinnable, untraceable, floating, open, defying the gravity I was told keeps pain in place maybe trauma doesn’t harden, packed, tight as sediment at the bottom…
Read MoreThe Potter
By Poetry Issue 62
So I went down to the potter’s house, and I saw [her] working at the wheel. —Jeremiah 18:3 Coming in from the wind, disheveled, we cluster like commas around the woman at the wheel. Her foot…
Read MoreWaiting
By Poetry Issue 62
On the hospital bed, a body: long, straight, and still breathing, though the eyes don’t open and the ears can’t hear. No sound escapes the body’s vocal cords to slip across its lips. Two women on straight-backed chairs watch and wait. The woman who is the mother naturally insists on hoping. Says she sees eyelashes…
Read MoreThe Raising of the Bells
By Poetry Issue 67
Not only were the largest of the church bells cast in pits, there, beneath the thrusting of the tower, at times the earthly founding of a bell came first, when walls rose above the mold, above the flower of bronze they sexed with a clapper, then block-and-tackled from the ground into some hymn or other,…
Read MoreHymn
By Poetry Issue 67
A child sees inside the stained-glass window the pride of the garden that came before the hand that raised this smoke, this corpse, this rose. His mother signals him to pray with those who come to kneel beneath the candle fire. The child sees inside their stained-glass window the petals of the wound that cannot…
Read MoreImagination vs. Fancy
By Essay Issue 7
IN past editorial statements, we have pointed out the resurgence of religious ideas and experiences in contemporary art and literature. We have argued that this phenomenon is part of an important cultural shift. Moreover, we have celebrated this movement as a hopeful sign, one of the primary justifications for the existence of Image. But many…
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