Unapologetic Visibility
By Essay Issue 59
WHAT IS GOD LIKE? It’s safer to say what he’s not. After all, if someone succeeded in writing a novel in French without using the letter e, it must be possible to write a theological treatise without adjectives. Whereof we cannot speak, thereof we must do something anyway. But do what? Point with our fingers?…
Read MoreAnniversary
By Poetry Issue 60
1. February 2, 2008: Learning the Rosary Birth is the first affliction but there is no birth. Birth is the beginning of endless affliction ending finally in dying but there is no death. This has never been explained to me in words, but mutilations. I watch you watching something from the window and smiling in…
Read MoreBrought Back
By Poetry Issue 59
It was bigger than me And I felt like a sick child Dragged by a donkey Through the myrtle. ————-—Vic Chesnutt I dipped my hand in the wrong pond plucked the black rose did not know that I did not know The red wolf bit me I bit back I was pulled by a beast…
Read MoreBone Box
By Poetry Issue 59
I’m not dead so what do I know. It’s a box of bone I’m in. I work the crash site, push glass bits to the ditch with a broom. A swift hit of spring stuns me, but what’s that. My soul’s not cracked in half for its gold yet. It might be bone in there,…
Read MoreParsonage with Two Maples
By Poetry Issue 60
I. In unvarnished foreground, a cat offers his paw in a dingy splint to children who bend over it, one in a red, zipped-up jacket so the whole scene is drawn away from the fields, the church where someone’s arranging flowers in deep, dented vases (we can’t see any of this but her parked car,…
Read MoreA Conversation with Thomas Lynch
By Interview Issue 59
Thomas Lynch is the author of three collections of poetry: Skating with Heather Grace (Knopf), Grimalkin & Other Poems (Jonathan Cape), and Still Life in Milford (Jonathan Cape and W.W. Norton). His essay collection The Undertaking: Life Studies from the Dismal Trade (Norton) won the Heartland Prize for nonfiction and the American Book Award, was…
Read MoreThe Name of God
By Poetry Issue 60
Like a baker, swaddling the juice and heft of apples in pastry, I want my mouth to cradle the delicious name of God. Kissing the Torah, I breathe the dust that has lain on the name of God, imagine ink on my indrawn breath. I will dream myself into the body of a bee. I…
Read MoreThe Burned Butterfly
By Poetry Issue 60
Thus this restless little butterfly of the memory has its wings burned now and cannot fly. —Teresa of Avila Char my wings. Lord, singe these cells of forewing, hindwing. Blacken memory’s sky blue shimmer, its thousands of cells— each startling pigment, each dorsal and ventral venation— the coppered glint of flight, oh Lord. If prayer…
Read MoreMedieval Miniatures: The Entombment
By Poetry Issue 60
from The Book of Hours, 1440 The painter has left a whole corner empty, squeezed the painting into the top half of a diagonal. How gently they lay His body, His face crooked from pain. Nicodemus lifts Him below the knees. Joseph of Arimathea fixing the shoulders to rest, his chin holding Christ’s haloed head…
Read MoreQuo Vadis?
By Poetry Issue 59
…when you are old you will stretch out your hands, and another will gird you and take you where you do not want to go. ————————————————–—John 21:18 The woman with the invisible stigmata sits day by day in the gelateria and wonders why no one else can see what she cannot, though she knows her…
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