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Issue 124 | Spring 2025
Our March issue explores the variety of registers in which the human voice operates: whispering and shouting, singing and keening, wailing, grumbling, and imploring. As Molly McCully Brown writes in her editorial, “We’re made for this, to raise our voices.” The issue includes essays by Mary Margaret Alvarado on shaped note singing in the age of AI; and by Jayme Stayer on how a singer’s voice can claim a permanent place in us, no matter what kind of person they are. Also: Ted Gioia talks with Joshua Stamper about on voice and radical humanness. Eli Rarey takes a pilgrimage to see a surrealist painting. Martha Toll considers Ed Simon’s books on angels, demons, and Faustian bargains. Architect Rick Archer on working with Ellsworth Kelly on his last project—a secular chapel at the University of Texas. Danielle Durchslag’s Jewish American performance art. Fiction by Valerie Sayers and Gemini Wahhaj. Poems by Susan L. Miller, Anna Lena Phillips Bell, and more.
CONTENTS
EDITORIAL
Molly McCully Brown, The Human Voice
FICTION
Gemini Wahhaj, Ashamed
VISUAL ART
Danielle Durchslag, In the Studio
Gabriel Mills, Dreaming in Blue
Grace DeGennaro, In the Studio
Rick Archer and Bruce Buescher, What Remains: The Making of Ellsworth Kelly’s Last Work
ESSAY
Eli Rarey, We Would Not Dare Venture So Far: The Surrealist Pilgrim’s Journey
Mary Margaret Alvarado, Shaped for People: Sacred Harp Singing in the Age of AI
POETRY
Susan L. Miller, The Crack
Kimberly Johnson, Dirge
Lily Greenberg, Good Friday
Anna Lena Phillips Bell, Not for the
Jonathan Cohen, Inversion
Richard Robbins, Third Postcard from Iona
Sarah B. Cahalan, For the taking, Triduum
Christopher Howell, Headstone
John James, Look at the Sound, Field Notes on the Brink
INTERVIEW
Joshua Stamper, Subversively Human: A Conversation with Ted Gioia
CULTURE
Jayme Stayer, What Do We Do with Monstrous Musicians?
Martha Anne Toll, Ed Simon Takes on Satan: The Devil Is in the Details