What the Polisher Sees:
The Art of James Tughan
By Essay Issue 98
DEAR JAMES: If you ever wondered who burned out the motor on the art department’s jigsaw, it was me. I hope you weren’t forced to pay for that. You’ve paid too much for the sins of others. I was using the jigsaw to cut up the triptych I’d made for my final undergrad art show.…
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A Head like Two Heads:
The Paintings of Shai Azoulay
By Essay Issue 98
PAINTER SHAI AZOULAY recently moved into a new studio in Jerusalem, a city where he has lived and worked throughout his artistic career. His studio, however, is far from the domed sacred spaces and stony streets associated with the Holy City. I took a meandering bus to the western edge of town to visit his…
Read MoreAlphabetic Art
By Essay Issue 98
The following is adapted from the plenary address given at Image’s Glen Workshop in Santa Fe in August, 2018, on the conference theme of “Telling Truths: Art, Honesty, and Community.” I HAVE WRITTEN THIS TALK as a partial alphabet: it starts with A (for art) and goes through T (for telling truths). For alphabetic languages,…
Read MoreAppropriation and Representation
By Essay Issue 97
IN FALL OF 2016 I RETURNED TO THE CLASSROOM, filling in for a friend who was on sabbatical. The course was a seminar for art students, one that I had taught many times before I retired. My friend had used Chaim Potok’s My Name Is Asher Lev as one of the texts, just as I…
Read MoreThe Haunted Mirror
By Essay Issue 97
IMAGE HAS ALWAYS embraced the idea that art often speaks better than argument, and that seems especially true in times of grief. For this issue, we’ve chosen to print a poem rather than a traditional editorial. As the Image board and staff search for a new editor, we and our community are in a state…
Read MoreKara, I Was Animal
By Essay Issue 97
YOU WERE HOLDING THE BEEF DIP you had brought to the vegetarian potluck when I met you. The potluck was the lunch hour of the day-long birthing class at our midwife’s cabin. Through the large window behind the kitchen sink I saw the snow falling heavy and wet on the woods behind her home. I…
Read MoreWho Are the People in Your Neighborhood?
By Essay Issue 97
WE WATCHED DAVID make his way slowly down the middle of the street, dragging his right leg, his right arm limp at his side. With his left hand, he reached forward with his cane and lurched after it. A plastic grocery bag hung from his left wrist. Step and drag, forward and pause, all effort…
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Beauty in Brokenness:
The Sculpture of Claire Curneen
By Essay Issue 97
CLAIRE CURNEEN STARTS EACH of her sculptural ceramic works in the same way, with a small piece of clay. Squeezing it between her fingers, pushing and pressing it into the palm of her hand, she flattens it into a small disc. These discs are the building blocks of her figures. By pressing and squeezing them…
Read MoreThe Redemption of Hester Prynne
By Essay Issue 96
BECAUSE IT HAS BEEN A STAPLE of the high school classroom, it is nearly impossible to approach The Scarlet Letter with the sort of wonder and respect it deserves. Somber and at times melodramatic, The Scarlet Letter is an altogether quieter book than, say, Moby Dick, which can make it feel tame by comparison. But…
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Take My Hand, Precious Lord:
A Short Treatise on Slowing Down
By Essay Issue 96
ON THE MORNING OF AUGUST 20, 2016, I felt a subtle pinch in my upper torso, right side. My wife and I were at our remote cabin in Washington County, Maine, where, among other things, despite my seventy-three years, I’d been training for a local twelve-mile paddle race. I felt fitter than I had in…
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