More on: Essays

The following is adapted from a commencement address given for the Seattle Pacific University master of fine arts in creative writing on August 3, 2013. OUR THEME FOR THIS residency has been comedy. As we’ve discovered, it’s a difficult topic precisely because we think we know all about it already. A number of truisms trip…

I’M WAITING for the 6:40 am train to take me to Boston. It’s a forty-five minute ride that I use to read “inspirational” works. What’s inspirational? Anything that helps get me through the day with some kind of inner peace, with a sense that what I’m doing is worthwhile. I take a deep breath as…

Somebody said, “Lift that bale.” THE EPIGRAPH to Leonard Cohen’s second novel, Beautiful Losers, is attributed to “Ray Charles singing ‘Ol’ Man River.’” Not to Oscar Hammerstein, who wrote the lyrics, but to one of the song’s many singers. This was back when Cohen was known primarily as a novelist and poet, before he had performed…

WHEN THE RED SUN is sinking behind the mist in the evening, the sandhill cranes begin to arrive. Long-legged, wings open wide, they come first sparely, two watchers, then in scatterings and finally in great numbers, lines of them crossing the sky to land before us hidden humans. The great birds fly across the mist,…

CERAMICIST ALLISON LUCE makes biomorphic portraits that seem almost excessively beautiful. Each piece revels in its physicality, its undeniable materiality, in its earthy substance—clay—and organic forms. Her four-part Serpent Tree series serves as an apt introduction to her work. In Primoris Ortus, for example, assemblages of swelling, vegetative curves stand alongside works suggestive of eroded rock…