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Where Do You Stand? Anselm Kiefer’s Visual and Verbal Artifacts

By Daniel A. Siedell Essay

I think it is beautiful to be justified (historically). ———Anselm Kiefer Forgiveness is the only way to reverse the irreversible flow of history. ———Hannah Arendt   ANSELM KIEFER is one of the few artists working today who have transcended the vicissitudes and fashions of the contemporary art world. His stature among artists working after World…

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Slow Culture

By Gregory Wolfe Essay

IT HAPPENED FOR ME in seventh-grade English class. My teacher, Mr. Taussig, was an older gentleman. He had driven a tank in the Battle of the Bulge, which feat of courage helped to offset the fact that he looked like Mr. Magoo. For many months he dragged us line by line through Shakespeare’s Romeo and…

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The Steeple and the Gargoyle

By Gregory Wolfe Essay

The following is adapted from a commencement address given for the Seattle Pacific University master of fine arts in creative writing on August 3, 2013. OUR THEME FOR THIS residency has been comedy. As we’ve discovered, it’s a difficult topic precisely because we think we know all about it already. A number of truisms trip…

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Meditations on Writing and Lawyering

By Francisco X. Stork Essay

I’M WAITING for the 6:40 am train to take me to Boston. It’s a forty-five minute ride that I use to read “inspirational” works. What’s inspirational? Anything that helps get me through the day with some kind of inner peace, with a sense that what I’m doing is worthwhile. I take a deep breath as…

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Heart’s Companion: Listening to Leonard Cohen

By Bill Coyle Essay

Somebody said, “Lift that bale.” THE EPIGRAPH to Leonard Cohen’s second novel, Beautiful Losers, is attributed to “Ray Charles singing ‘Ol’ Man River.’” Not to Oscar Hammerstein, who wrote the lyrics, but to one of the song’s many singers. This was back when Cohen was known primarily as a novelist and poet, before he had performed…

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Ways of the Cranes

By Linda Hogan Essay

WHEN THE RED SUN is sinking behind the mist in the evening, the sandhill cranes begin to arrive. Long-legged, wings open wide, they come first sparely, two watchers, then in scatterings and finally in great numbers, lines of them crossing the sky to land before us hidden humans. The great birds fly across the mist,…

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Insider/Outsider/In: The Art of Jennifer Anne Moses

By Caroline Langston Essay

  THE SUNDAY TRAVEL SECTION of the New York Times would seem, on the face of it, an unexpected venue for an artistic confession, but for the multifaceted Jennifer Anne Moses—fiction writer, spiritual memoirist, and painter, as well as a self-confessed “liberal East Coast Jew”—it was an acutely appropriate venue, effectively the still point of…

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